The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
That was Joshua. Andrew, his brother, stood facing him three or four
paces away. He was the younger of the two, the less favored, the more
sensitive.
He had what no other Blake had had, a suspicion of freckle on his high,
flat cheek. And he had what no one else in Urkey had then, a brace of
gold teeth, the second and third to the left in the upper jaw, where Lem
White's boom had caught him, jibing off the Head. They showed now as the
slowly working lip revealed them, glimmering with a moist, dull sheen.
He, too, was white.
His hands were empty, hanging down palms forward. But in his eyes there
was no look of the defenseless: only a light of passionate contempt.
And between the two, and beyond them, as I looked, stood Mary, framed by
the white pillars of the doorway, her hands at her throat and her long
eyes dilated with a girl's fright more precious than exultation. So the
three remained in tableau while, as if on another planet, the dusk
deepened from moment to moment: Gramma Pilot, two yards away, brought
supper to her squealing sow; and further off, out on the waning mirror
of the harbor, a conch lowed faintly for some schooner's bait.
* * * * *
"Drop it, Joshua!" Duncan's voice came loud and clear.
And this time, following the hush, it seemed to exercise the devil of
quietude. I heard Mary's breath between her lips, and saw Andrew wheel
sharply to pick a scale from the tree-trunk with a thumb-nail. Joshua's
eyes went down to the preposterous metal in his hand; he shivered
slightly like a dreamer awakening and thrust it in his pocket. And then,
seeing Duncan turning toward the fence and me, I took the better part of
valor and ran, and saw no more.
There were serious men in town that night when it was known what a pass
the thing had come to; men that walked and women that talked. It was all
Mary's fault. Long ago she ought to have taken one of them and "sent the
other packing." That's what Miah White said, sitting behind the stove in
our kitchen over the shop; that's what Duncan thought as he paced back
and forth, shaking his head. That's what they were all saying or
thinking as they sat or wandered about.
Such are the difficulties of serious men. And even while it all went on,
Mary Matheson had gone about her choosing in the way that seemed fit to
youth. In the warm-lit publicity of Miss Alma Beedie's birthday-party,
shaking off so soon the memory of that brief glint of pistol-play under
the apple-trees, she took a fantastic vow to marry the one that brought
her the wedding-ring--promised with her left hand on Miss Beedie's
album and her right lifted toward the allegorical print of the Good
Shepherd that the one who, first across the Sound to the jeweler's at
Gillyport and back again, fetched her the golden-ring--that he should be
her husband "for better or for worse, till death us do part, and so
forth and so on, Amen!"
Public-domain text, read in full here on John Shaqi.
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