The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
If the hour across the island seems a minute, the time I groped along
the beach seems nights on end. And then one of the shades turned solid,
and I was in such a case I had almost bolted before it spoke and I knew
it for Rolldown Nickerson, the beachcomber.
He was a good man in ways. But you must remember his business was a
vulture's business, and something of it was in his soul. It came out in
good wrecking weather. On a night when the bar had caught a fine piece
of profit, I give you my word you could almost see Rolldown's neck
growing longer and nakeder with suspense. He would have made more of his
salvaging had he carried a steadier head: in the rare, golden moments of
windfall he sometimes failed to pick and choose. Even now he was loaded
down with a dim collection of junk he had grabbed up in the dark, things
he knew nothing of, empty bottles and seine-floats, rubbish he had
probably passed by a hundred times in his daylight rounds. The saving
circumstance was that he kept dropping them in his ardor for still other
treasures his blind feet stumbled on. I followed in his wake and I know,
for half a dozen times his discards got under my feet and sent me
staggering. Once, moved by some bizarre, thousandth chance of curiosity,
I bent and caught one up in passing.
Often and often since then I have wondered what would have happened to
the history of the world of my youth if I had not been moved as I was,
and bent quite carelessly in passing, and caught up what I did.
Still occupied with keeping my guide in eye, I took stock of the thing
with idle fingers; in the blackness my finger-tips were all the eyes I
had for so small a thing. It was about the size of a five-pound butter
box, I should say; it seemed as it lay in my hand a sort of an old and
polished casket, a thing done with an exotic artistry, broad, lacquered
surfaces and curves and bits of intricate carving. And I thought it was
empty till I shook it and felt the tiny impact of some chambered weight.
Already the thing had taken my interest. Catching up I touched
Rolldown's arm and shouted in his ear, over the roll of the wind and
surf:
"What you make of this, Rolldown?"
He took it and felt it over, dropping half his rubbish in the act. He
shook it. It seemed to me I could see his neck growing longer.
"Got somethin' into it," he rumbled.
"Yes, I know. Now let me have it back, Rolldown."
"Somethin' hefty," he continued, and I noticed he had dropped the rest
of his treasures now and clung to that. "Somethin' hefty--and valu'ble!"
"But it's mine, I tell you!"
"'Tain't neither! 'Tain't neither!"
He was walking faster all the while to shake me off, and I to keep with
him; our angry voices rose higher in the gale.
I can't help smiling now when I think of the innocent pair of us that
night, puffing along the sand in the blind, wet wind, squabbling like
two children over that priceless unseen casket, come up from the waters
of the sea.
Public-domain text, read in full here on John Shaqi.
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