The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"It's mine!" I bawled, "and you give it to me!" And I grabbed at his arm
again. But this time, letting out a squeal, he shook me off and fled
inshore, up the face of the dune, and I not far behind him.
And so, pursued and pursuing, we came suddenly over a spur of the dunes
and saw below us on the southward beach the drift-fire the life-savers
had made. There were many small figures in the glow, a surf-boat hauled
up, I think, and a pearly huddle of alien men.
But on none of this could I take my oath; my thoughts had been jerked
back too abruptly to all the other, forgotten drama of that night, the
music and the faces in Center Church, the flowers, the bridegroom, and
the bride.
For there on the crest before me, given in silhouette against the
fire-glow, stood the bride.
How she came there, by what violence or wild stratagem she had got away,
what blind path had brought her, a fugitive, across the island--it was
all beyond me. But no matter; there she stood before me on the dune at
Pilot's Point, as still as a lost statue, tulle and satin, molded by the
gale, sheathing her form in low relief like shining marble, her
stone-quiet hands at rest on her unstirring bosom, her face set toward
the invisible sea.... It was queer to see her like that: dim, you know;
just shadowed out in mystery by the light that came a long way through
the streaming darkness and died as it touched her.
Peering at her, the strangest thought came to me, and it seemed to me
she must have been standing there just so, not for minutes, but for
hours and days; yes, standing there all the length of those ten long
years, erect on a seaward dune, unmoved by the wild, moving elements,
broken water, wailing wind, needle-blown sand--as if her spirit had
flown on other business, leaving the quiet clay to wait and watch there
till the tides of fate, turning in their appointed progress, should
bring back the fabled ship of India to find its grave on the bars at
Pilot's Point.
She must have been all ready to go to the church; perhaps she was
actually on her way, and it was on the wind of the cow street that the
blown tidings of the "India ship" came to her ears. I can't tell you how
I was moved by the sight of her in the wistful ruin of bride's-clothes.
I can't say what huge, disordered purposes tumbled through my brain as I
stood there trying to cough or stir or by some such infinitesimal
violence let her know that I, Peter Means, was there--that I
understood--that I was stronger than all the men in Urkey Island--that
over my dead body alone should any evil come to her now, forever and
ever and ever.
Public-domain text, read in full here on John Shaqi.
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