The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Antonio was scarcely changed. His dark visage was still vital with
intelligence, still keen and strange from the exercise of an
inexhaustible imagination. Yet in his eyes, which formerly had sparkled
with the wit of youth, there was more depth and a hint of somberness. He
had become a celebrated satirist.
"What luck!" he cried, embracing me with sincere delight. "But to think
that I should have to run into you on the street!"
"I asked for you everywhere."
"In the old places? I never go to them. You have not dined? Nor I. Here,
let us take this cab."
He hurried me off to a restaurant of the suburbs. Under the starry sky
we sat down at a table beside a sunken garden, in which nightingales
were trying their voices among the blossoms, whose perfume had been
intensified by dew.
It was an old-time dinner, at least, that Antonio provided; but, alas!
those others were not there to eke out the illusion of the past. To each
name, as I uttered it, Antonio added an epitaph. This one had gone to
bury himself in the Abruzzi hills. That one had become a professor at
Bologna. Others, in vanishing, had left no trace behind them.
"And Leonello, who was going to surpass Michael Angelo?"
"Oh," my friend responded, "Leonello is still here, painting his
pictures. Like me, he could not live long beyond the air of Florence."
Antonio, in fact, could trace his family back through Florentine history
into the Middle Ages.
"Is Leonello the same?" I pursued. "Always up to some nonsense? But you
were not much behind him in those insane adventures."
"Take that to yourself," Antonio retorted. "I recall one antic, just
before you left us--" He broke off to meditate. Clicking his tongue
against his teeth, he gazed at me almost with resentment, as if I were
responsible for this depressing work of time. "No!" he exclaimed,
looking at me in gloomy speculation, while, in the depths of his eyes,
one seemed to see his extraordinary intelligence perplexed and baffled.
"That war of wit is surely over. The old days are gone for good. Let us
make the best of it." And he asked me what I had been doing.
I made my confession. In those years I had become fascinated by psychic
phenomena--by the intrusion into human experience of weird happenings
that materialism could not very well explain. Many of these happenings
indicated, at least to my satisfaction, not only future existences, but
also previous ones. I admitted to Antonio that, since I was in Italy
again, I intended to investigate the case of a Perugian peasant girl
who, though she had never been associated with educated persons, was
subject to trances in which she babbled the Greek language of
Cleopatra's time, and accurately described the appearance of
pre-Christian Alexandria.
"I am writing a book on such matters," I concluded. "You, of course,
will laugh at it----"
His somber eyes, which had been watching me intently, became blank for a
time, then suddenly gave forth a flash.
Public-domain text, read in full here on John Shaqi.
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