The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"I? Laugh because you have been enthralled by weirdness?" he cried, as
one who, all at once, has been profoundly moved. Yet laugh he did, in
loud tones that were almost wild with strange elation. "Pardon me," he
stammered, passing a trembling hand across his forehead. "You do not
know the man that I have become of late."
What had my words called to his mind? From that moment everything was
changed. The weight of some mysterious circumstances had descended upon
Antonio, overwhelming, as it seemed to me, the pleasure that he had
found in this reunion. Through the rest of the dinner he was silent, a
prey to that dark exultancy, to that uncanny agitation.
This silence persisted while the cab bore us back into the city.
In the narrow streets a blaze of light from the open fronts of
cook-shops flooded the lower stories of some palaces which once on a
time had housed much fierceness and beauty, treachery and perverse
seductiveness. Knowing Antonio's intimate acquaintance with those
splendid days, I strove to rouse him by congenial allusions. His
preoccupation continued; the historic syllables that issued from my lips
were wasted in the clamor of the street. Yet when I pronounced the name
of one of those bygone belles, Fiammetta Adimari, he repeated slowly,
like a man who has found the key to everything:
"Fiammetta!"
"What is it, Antonio? Are you in love?"
He gave me a piercing look and sprang from the cab. We had reached the
door of his house.
Antonio's bachelor apartment was distinguished by handsome austerity.
The red-tiled floors reflected faintly the lights of antique candelabra,
which shed their luster also upon chests quaintly carved, bric-à-brac
that museums would have coveted, and chairs adorned with threadbare
coats of arms. Beside the mantelpiece hung a small oil-painting, as I
thought, of Antonio himself, his black hair reaching to his shoulders,
and on his head a hat of the Renaissance.
"No," said he, giving me another of his strange looks, "it is my
ancestor, Antonio di Manzecca, who died in the year fifteen hundred."
I remembered that somewhere in the hills north of the city there was a
dilapidated stronghold called the Castle of Manzecca. Behind those
walls, in the confusion of the Middle Ages, Antonio's family had
developed into a nest of rural tyrants. Those old steel-clad men of the
Manzecca had become what were called "Signorotti"--lords of a height or
two, swooping down to raid passing convoys, waging petty wars against
the neighboring castles, and at times, like bantams, too arrogant to
bear in mind the shortness of their spurs, defying even Florence. In the
end, as I recalled the matter, Florence had chastened the Manzecca,
together with all the other lordlings of that region. The survivors had
come to live in the city, where, through these hundreds of years, many
changes of fortune had befallen them. My friend Antonio was their last
descendant.
Public-domain text, read in full here on John Shaqi.
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