The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The first few days at Mockwood were spent at the little gardener's
cottage, from which the other youngsters had flown. Berber, quietly
moving about the tiny rooms, sitting buried in a scientific book or
taking long trips afield, was the recipient of much maternal flattery.
He accepted it all very gently; the young culturist had an air of quiet
consideration for every one and absolutely no consciousness of himself.
He presumed upon no special prerogatives, but set immediately to work to
make himself useful. It was while he was weeding the box borders leading
to the herb-gardens of Heartholm that Mrs. Strang first came upon him.
Her eyes, suddenly confronted with his as he got to his feet, dropped
almost guiltily, but when they sought his face a second time, Evelyn
Strang experienced a disappointment that was half relief. The sunburnt
youth, in khaki trousers and brown-flannel shirt, who knelt by the
border before her was John Strang Berber, Doctor Mach's human
masterpiece; this was not "Gargoyle."
"That is hardly suitable work for a distinguished horticulturist," the
mistress of Heartholm smiled at the wilting piles of pusley and sorrel.
White teeth flashed, deep eyes kindled. Berber rose and, going to a
garden seat, took up some bits of glass and a folded paper. He showed
her fragments of weed pressed upon glass plates, envelopes of seeds
preserved for special analyzation. "There's still a great undiscovered
country in weed chemistry," he eagerly explained, "perhaps an anodyne
for every pain and disease."
"Yes, and deadly poisons, too, for every failure and grief." The
mistress of Heartholm said it lightly as she took the garden seat,
thinking how pleasant it was to watch the resolute movements and
splendid physical development of the once weazened Gargoyle. She began
sorting out her embroidery silks as Berber, the bits of glass still in
his hand, stood before her. He was smiling.
"Yes, deadly poisons, too," agreeing with a sort of exultation, so
blithely, indeed, that the calmly moving fingers of the mistress of
Heartholm were suddenly arrested. A feeling as powerful and associative
as the scent of a strong perfume stole over Evelyn Strang.
Before she could speak Berber had resumed his weeding. "It's good to get
dictatorship over all this fight of growing," looking up for her
sympathy with hesitance, which, seen in the light of his acknowledged
genius, was the more significant. "You don't mind my taking Michael's
place? He was very busy this morning. I have no credentials, but my
mother seems to think I am a born gardener."
This lack of conceit, this unassuming practicality, the sort of thing
with which Gargoyle's mind had been carefully inoculated for a long
time, baffled, while it reassured Mrs. Strang. Also the sense of sacred
trust placed in her hands made her refrain from any psychic probing.
Public-domain text, read in full here on John Shaqi.
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