The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
They awaited us, shimmering in their fantastic finery--the ladies Laura
and Lina, my old friends Leonardo and Leonello, and the ineffable
Fiammetta di Foscone. The visitors' cheeks seemed hectic from the
excitement of the hour; but her face was flushed, her eyes shone, for
her own reasons. As I approached her my heartbeats suffocated me. Yes, I
would have taken Antonio's place and shouldered all his terrors! Before
me the fair conqueror of time disappeared in a haze, out of which her
voice emerged like a sweet utterance from beyond the tomb.
"You are pleased with the castle, messere?"
As I was striving to respond, Antonio said to her, half aside, in that
quaint species of Italian which he had used before:
"He speaks our language with difficulty, Madonna, and in a dialect. This
disability will embarrass him till he finds himself more at home."
"Then let us sup," she exclaimed. "For since this new custom of a third
meal has become fashionable in Florence, no doubt you are all expiring
of hunger. So quickly does habit become tyrannous, especially when it
involves a pleasure."
In some manner or other I seated myself at the table.
The servants bore in, on silver platters, small chickens garnished with
sugar and rose-water, a sort of galantine, tarts of almonds and honey,
caramels of pine-seed. From the gallery overhead came the tinkle of a
rota, a kind of guitar. The musician produced a whimsical tune
suggesting a picnic of lords and ladies in the garden of an antique
villa, where trick fountains, masked by blossoms, drenched the unwary
with streams of water. But in the chimney of the great, cold fireplace
behind my back the wind still growled its threats; the voice of Nature
still menaced these audacious mortals, who were celebrating the
humiliation of her laws.
Beyond the candle-light the beauty of Fiammetta di Foscone became
blinding. In her there was no sign of an unnatural preservation, as, for
example, in a flower that has been sustained, yet subtly altered, by
imprisonment in ice. Nor did her countenance show in the least that
glaze of time which changes, without abating, the fairness of marble
goddesses surviving for us from remote ages of esthetic victory. But
wait; she was not an animated statue, nor any product of nature other
than flesh and blood! And the flesh, the glance, the whole person of
this creature from another era, expressed a glorious young womanhood. I
was lost in admiration, pity, and dread. For over this shining miracle
hovered the shadow of disaster. One could not forget the countless
menaces surrounding her.
If she should grasp the truth, if all of a sudden she should realize her
disaccordance with the world of mortals, what would happen to her before
our eyes? Would she succumb instantly? Or would she first shrivel into
some appalling monstrosity? This deception could not last forever. Might
it not end to-night?
Did the others have similar premonitions?
Public-domain text, read in full here on John Shaqi.
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