The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Their smiles seemed tremulous and wan, their movements constrained and
timorous. All their efforts at gaiety were impeded by the inertia of
fear. At every speech the lips of Lina and Laura quivered, the hands of
Leonello and Leonardo were clenched in a nervous spasm. Antonio
controlled himself only by the most heroic efforts.
What a price to pay for an illusion of happiness that was destined to a
ghastly end! Yet I would still have paid that heavy price exacted from
Antonio.
Fiammetta di Foscone became infected by our nervousness. At one moment
her mirth was feverish; at another, a look of vague uneasiness crossed
her face. Was our secret gradually penetrating to her subconscious mind?
Was she to learn the fact, and perish of it, not because of bungling
word or action on our part, but merely from the unwitting transmission
of our thoughts?
The others redoubled their travesty of merriment. They voiced the gossip
of a vanished society; the politics, fashions, and scandals of old
Florence. One heard the names of noble families long since extinct,
accounts of historic escapades related as if they had happened
yesterday. Fiammetta recovered her animation.
Her dewy eyes turned to Antonio. Her fingers caressed her
betrothal-ring, which was like the wedding-ring of the twentieth
century. And in this hall tricked out with lies, amid these guests and
servants who were the embodiment of falsehood, an oppressing atmosphere
of dread was clarified, for a moment, by the strength and delicacy of
her love.
They discussed the virtues of the Muses, the plagiarisms of Petrarch,
the wonders of astrology. Her uneasiness revived. In a voice more
musical than the rota in the gallery, she asked:
"My dear friends, would you attribute to some planetary influence a
feeling of strangeness that I receive at times, even from the air? I
demand of you whether the air does not have an unfamiliar smell
to-night?"
There was a freezing moment of silence.
"It is this great wind," muttered Leonardo, "that has brought us new air
from afar."
"Every place has its smell," was Leonello's contribution. "It is natural
that the Castle of Manzecca should smell differently from the Castle of
Foscone."
Antonio thanked his friends with an eloquent look.
"True," she assented, pensively, "every spot, every person, is
surrounded by its especial ether, produced by its peculiar activity.
This house, not only in its smell, but in its tenor of life, and even in
its food, differs vastly from my own house, which, nevertheless, is just
across the hills."
Antonio drained his goblet at a gulp. He got out the words:
"We are provincial, we Manzecca. Like a race apart."
"All old families, jealous of their integrity, are the same," ventured
Laura, who looked, nevertheless, as if she were about to faint.
Public-domain text, read in full here on John Shaqi.
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