The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"He don't know a thing about me," said Sheener, "except my name. I've
just wrote as though I knowed the old guy, here in the house, see. Said
he was sick, and all."
"And the boy gets in to-night?"
"Midnight," said Sheener, and Evans, from his chair, echoed: "Midnight!"
Then asked with a certain stiff anxiety: "Do I look all right, Sheener?
Look all right to see my boy?"
"Say," Sheener told him. "You look like the Prince of Wales." He went
across to where the other sat and gripped him by the shoulder. "You look
like the king o' the world."
Old Evans brushed at his coat anxiously; his fingers picked and twisted;
and Sheener sat down on the bed beside him and began to soothe and
comfort the man as though he were a child.
The son was to arrive by way of Montreal, and at eleven o'clock we left
Sheener's room for the station. There was a flower stand on the corner,
and Sheener bought a red carnation and fixed it in the old man's
buttonhole. "That's the way the boy'll know him," he told me. "They
ain't seen each other for--since the boy was a kid."
Evans accepted the attention querulously; he was trembling and feeble,
yet held his head high. We took the subway, reached the station, sat
down for a space in the waiting room.
But Evans was impatient; he wanted to be out in the train shed, and we
went out there and walked up and down before the gate. I noticed that he
was studying Sheener with some embarrassment in his eyes. Sheener was,
of course, an unprepossessing figure. Lean, swarthy, somewhat flashy of
dress, he looked what he was. He was my friend, of course, and I was
able to look beneath the exterior. But it seemed to me that sight of him
distressed Evans.
In the end the old man said, somewhat furtively: "I say, you know, I
want to meet my boy alone. You won't mind standing back a bit when the
train comes in."
"Sure," Sheener told him. "We won't get in the way. You'll see. He'll
pick you out in a minute, old man. Leave it to me."
Evans nodded. "Quite so," he said with some relief. "Quite so, to be
sure."
So we waited. Waited till the train slid in at the end of the long train
shed. Sheener gripped the old man's arm. "There he comes," he said
sharply. "Take a brace, now. Stand right there, where he'll spot you
when he comes out. Right there, bo."
"You'll step back a bit, eh, what?" Evans asked.
"Don't worry about us," Sheener told him. "Just you keep your eye
skinned for the boy. Good luck, bo."
We left him standing there, a tall, gaunt, shaky figure. Sheener and I
drew back toward the stairs that lead to the elevated structure, and
watched from that vantage point. The train stopped, and the passengers
came into the station, at first in a trickle and then in a stream, with
porters hurrying before them, baggage laden.
The son was one of the first. He emerged from the gate, a tall chap, not
unlike his father. Stopped for a moment, casting his eyes about, and saw
the flower in the old man's lapel. Leaped toward him hungrily.
Public-domain text, read in full here on John Shaqi.
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