The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
They gripped hands, and we saw the son drop his hand on the father's
shoulder. They stood there, hands still clasped, while the young man's
porter waited in the background. We could hear the son's eager
questions, hear the older man's drawled replies. Saw them turn at last,
and heard the young man say: "Taxi!" The porter caught up the bag. The
taxi stand was at our left, and they came almost directly toward us.
As they approached, Sheener stepped forward, a cheap, somewhat
disreputable, figure. His hand was extended toward the younger man. The
son saw him, looked at him in some surprise, looked toward his father
inquiringly.
Evans saw Sheener too, and a red flush crept up his gaunt cheeks. He did
not pause, did not take Sheener's extended hand; instead he looked the
newsboy through and through.
Sheener fell back to my side. They stalked past us, out to the taxi
stand.
I moved forward. I would have halted them, but Sheener caught my arm. I
said hotly: "But see here. He can't throw you like that."
Sheener brushed his sleeve across his eyes. "Hell," he said huskily. "A
gent like him can't let on that he knows a guy like me."
I looked at Sheener, and I forgot old Evans and his son. I looked at
Sheener, and I caught his elbow and we turned away.
He had been quite right, of course, all the time. Blood will always
tell. You can't keep a fast horse in a poor man's stable. And a man is
always a man, in any guise.
If you still doubt, do as I did. Consider Sheener.
FOOTNOTE:
[20] Copyright, 1920, by P. F. Collier & Son, Inc. Copyright, 1921, by
Ben Ames Williams.
TURKEY RED[21]
#By# FRANCES GILCHRIST WOOD
From _The Pictorial Review_
The old mail-sled running between Haney and Le Beau, in the days when
Dakota was still a Territory, was nearing the end of its hundred-mile
route.
It was a desolate country in those days: geographers still described it
as The Great American Desert, and in looks it certainly deserved the
title. Never was there anything as lonesome as that endless stretch of
snow reaching across the world until it cut into a cold gray sky,
excepting the same desert burned to a brown tinder by the hot wind of
Summer.
Nothing but sky and plain and its voice, the wind, unless you might
count a lonely sod shack blocked against the horizon, miles away from a
neighbor, miles from anywhere, its red-curtained square of window
glowing through the early twilight.
There were three men in the sled; Dan, the mail-carrier, crusty,
belligerently Western, the self-elected guardian of every one on his
route; Hillas, a younger man, hardly more than a boy, living on his
pre-emption claim near the upper reaches of the stage line; the third a
stranger from that part of the country vaguely defined as "the East." He
was traveling, had given his name as Smith, and was as inquisitive about
the country as he was reticent about his business there. Dan plainly
disapproved of him.
Public-domain text, read in full here on John Shaqi.
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