The best short stories of 1920, and the yearbook of the American short story — John Shaqi
The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The mistress of Heartholm did not reply. In spite of her tranquil air,
Evelyn Strang was gripped with a sudden apprehension. How much, how
little, did Berber know? She glanced swiftly at him, then bent her head
over her embroidery. The colored stream of Indian summer flowed around
them. A late bird poured out his little cup of song.
"My mother will not answer my questions." Young Berber, examining two
curiously formed bulbs, shook the earth from them; he stuffed them into
his trousers pocket. "But Michael got talking yesterday and told me--Did
you know, Mrs. Strang? I was thought to be an idiot until I was twelve
years old--born deaf and dumb?"
It was asked so naturally, with a scientific interest as impersonal as
if he were speaking of one of the malformed bulbs in his pocket, that at
first his mistress felt no confusion. Her eyes and hands busying
themselves with the vivid silks, she answered.
"I remember you as a little pale boy who loved flowers and did such odd,
interesting things with them. Mr. Strang and I were attracted to your
mysterious plays.... No, you never spoke, but we were not sure you could
not hear--and"--drawing a swift little breath--"we were always
interested in what--in what--you seemed--to _see_!"
There was a pause. He knelt there, busily sorting the bulbs. Suddenly
to the woman sitting on the garden bench the sun-bathed October gardens
seemed alive with the myriad questioning faces of the fall flowers;
wheels and disks like aureoled heads leaned toward her, mystical fire in
their eyes, the colored flames of their being blown by passionate desire
of revelation. "This is your moment," the flowers seemed to say to her.
"Ask him _now_."
But that she might not yet speak out her heart to John Berber his
mistress was sure. She was reminded of what Strang had so often said,
referring to their lonely quest--that actual existence was like a
forlorn shipwreck of some other life, a mere raft upon which, like grave
buffoons, the ragged survivors went on handing one another watersoaked
bread of faith, glassless binoculars of belief, oblivious of what
radiant coasts or awful headlands might lie beyond the enveloping mists.
Soon, the wistful woman knew, she would be making some casual
observations about the garden, the condition of the soil. Yet, if ever
the moment had come to question him who had once been "Gargoyle," that
moment was come now!
Berber lifted on high a mass of thickly welded bulbs clinging to a
single dahlia stalk. He met her gaze triumphantly.
"Michael says he planted only a few of this variety, the soft,
gold-hearted lavender. See what increase." The youth plunged supple
fingers into the balmy-scented loam, among the swelling tuber forms. "A
beautiful kind of ugliness," he mused. "I remember I used to think----"
The young gardener, as if he felt that the eyes fixed upon him were
grown suddenly too eager, broke abruptly off.
"Go on, John Berber. What you have to say is always interesting."
Public-domain text, read in full here on John Shaqi.
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