The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
It was a gay afternoon, that afternoon, and a gay night also for the
whole village. It drank the inn out of everything. The gypsies had a
royal welcome. To all questions of why he had dared Providence, Murdo
answered, "There was no food for my people and horses. The Tartars have
none to sell."
Murdo and his tribe became the guests of the village. His people were
all lean. The men hardly carried themselves on their legs. Each one of
them had something to nurse. The village doctor amputated toes and
fingers; several women had to be treated for gangrene. The children of
the tribe were the only ones that had not suffered much. It was Murdo's
rule: "Children first, the horses next." The animals were stabled and
taken charge of by the peasants. The gypsies went to live in the huts of
the people in order to warm themselves back to life. Father liked Murdo,
and so the old chief came to live with us. The nights were long. After
supper we all sat in a semicircle around the large fireplace in which a
big log of seasoned oak was always burning.
I had received some books from a friend of the family who lived in the
capital of the country, Bucharest. Among them was Carlyle's Heroes and
Hero-Worship, translated into French. I was reading it when Murdo
approached the table and said, "What a small Bible my son is reading."
"It is not a Bible, it is a book of stories, Murdo."
"Stories! Well, that's another thing."
He looked over my shoulders into the book. As I turned the page he
asked:
"Is everything written in a book? I mean, is it written what the hero
said and what she answered and how they said it? Is it written all
about him and the villain? I mean are there signs, letters for
everything; for laughter, cries, love gestures? Tell me."
I explained as best I could and he marvelled. I had to give an example,
so I read a full page from a storybook.
"And is all that written in the book, my son? It is better than I
thought possible, but not so good as when one tells a story.... It is
like cloth woven by a machine, nice and straight, but it is not like the
kind our women weave on the loom--but it is good; it is better than I
thought possible. What are the stories in the book you are reading? Of
love or of sorrow?"
"Of neither, Murdo. Only about all the great heroes that have lived in
this world of cowards."
"About every one of them?" he asked again. "That's good. It is good to
tell the stories of the heroes."
He returned to the fireplace to light his pipe; then he came to me
again.
"If it is written in this book about all the great heroes, then there
must also be the record of Ghitza--the great Ghitza, our hero. The
greatest that ever lived. See, son, what is there said about him?"
I turned the pages one by one to the end of the book and then reported,
"Nothing, Murdo. Not even his name is mentioned."
Public-domain text, read in full here on John Shaqi.
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