The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The dark, heavy cars slipped by. The red glow of the fuse was overcome
by the white light from the south. The last black Pullman of
thirty-three cleared the points. With a gasping breath Tolliver threw
the switch lever.
"It's too late now, Sonny," he said to the importunate child.
The tower shook. A hot, white eye flashed by, and a blurred streak of
cars. Snow pelted in the window, stinging Tolliver's face. Tolliver
closed the window and picked up thirty-three's orders. If he had kept
the revolver here he could have prevented Joe's leaving the tower. Why
had Sally locked it in the cupboard? At least it was there now. Tolliver
found himself thinking of the revolver as an exhausted man forecasts
sleep.
Someone ran swiftly up the stairs. It was the engineer of thirty-three,
surprised and impatient.
"Where are my orders, Tolliver? I don't want to lie over here all
night."
He paused. His tone became curious.
"What ails you, Tolliver?"
Tolliver handed him the orders, trembling.
"I guess maybe my wife at the house is dead, or--You'll go see."
The engineer shook his head.
"You brace up, Tolliver. I'm sorry if anything's happened to your wife,
but we couldn't hold thirty-three, even for a murder."
Tolliver's trembling grew. He mumbled incoherently:
"But I didn't murder all those people----"
"Report to division headquarters," the engineer advised. "They'll send
you help to-morrow."
He hurried down the stairs. After a moment the long train pulled out,
filled with warm, comfortable people. The child, his sobbing at an end,
watched it curiously. Tolliver tried to stop his shaking.
There was someone else on the stairs now, climbing with an extreme
slowness. A bare arm reached through the trap, wavering for a moment
uncertainly. Ugly bruises showed on the white flesh. Tolliver managed to
reach the trap. He grasped the arm and drew into the light the dark hair
and the chalky face of his wife. Her wide eyes stared at him strangely.
"Don't touch me," she whispered. "What am I going to do?"
"Joe?"
"Why do you tremble so?" she asked in her colorless voice, without
resonance. "Why didn't you come?"
"Joe?" he repeated hysterically.
She drew away from him.
"You won't want to touch me again."
He pointed to the repellant bruises. She shook her head.
"He didn't hurt me much," she whispered, "because I--I killed him."
She drew her other hand from the folds of her wrapper. The revolver
dangled from her fingers. It slipped and fell to the floor. The child
stared at it with round eyes, as if he longed to pick it up.
She covered her face and shrank against the wall.
"I've killed a man----"
Through her fingers she looked at her husband fearfully. After a time
she whispered:
"Why don't you say something?"
His trembling had ceased. His lips were twisted in a grin. He, too,
wondered why he didn't say something. Because there were no words for
what was in his heart.
In a corner he arranged his overcoat as a sort of a bed for the boy.
Public-domain text, read in full here on John Shaqi.
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