The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Won't you speak to me?" she sobbed. "I didn't mean to, but I had to.
You got to understand. I had to."
He went to the table and commenced to tap vigorously on the key. She ran
across and grasped at his arm.
"What you telling them?" she demanded wildly.
"Why, Sally!" he said. "What's the matter with you?--To send another man
now Joe is gone."
Truths emerged from his measureless relief, lending themselves to words.
He trembled again for a moment.
"If I hadn't stayed! If I'd let them smash! When all along it only
needed Joe to keep all those people from getting killed."
He sat down, caught her in his arms, drew her to his knee, and held her
close.
"You ain't going to scold?" she asked wonderingly.
He shook his head. He couldn't say any more just then; but when his
tears touched her face she seemed to understand and to be content.
So, while the boy slept, they waited together for someone to take Joe's
place.
FOOTNOTE:
[6] Copyright, 1920, by The Metropolitan Magazine Company. Copyright,
1921, by Charles Wadsworth Camp.
THE PARTING GENIUS[7]
#By# HELEN COALE CREW
From _The Midland_
"_The parting genius is with sighing sent._"
#Milton's# _Hymn on the Nativity._
It was high noon, blue and hot. The little town upon the southern slope
of the hills that shut in the great plain glared white in the intense
sunlight. The beds of the brooks in the valleys that cut their way
through the hill-clefts were dry and dusty; and the sole shade visible
lay upon the orchard floors, where the thick branches above cast
blue-black shadows upon the golden tangle of grasses at their feet. A
soft murmur of hidden creature-things rose like an invisible haze from
earth, and nothing moved in all the horizon save the black kites high in
the blue air and the white butterflies over the drowsy meadows. The
poppies that flecked the yellow wheat fields drooped heavily, spilling
the wine of summer from their cups. Nature stood at drowsy-footed pause,
reluctant to take up again the vital whirr of living.
At the edge of the orchard, near the dusty highway, under a huge
misshapen olive tree sat a boy, still as a carven Buddha save that his
eyes stood wide, full of dreams. His was a sensitive face, thoughtful
beyond his childish years, full of weariness when from time to time he
closed his eyes, full of dark brooding when the lids lifted again.
Presently he rose to his feet, and his two hands clenched tightly into
fists.
"I hate it!" he muttered vehemently.
At his side the grasses stirred and a portion of the blue shadow of the
tree detached itself and became the shadow of a man.
"Hate?" questioned a golden, care-free voice at his side. "Thou'rt
overyoung to hate. What is it thou dost hate?"
Public-domain text, read in full here on John Shaqi.
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