The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
A young man had thrown himself down in the grass at the boy's side.
Shaggy locks hung about his brown cheeks; his broad, supple chest and
shoulders were bare; his eyes were full of sleepy laughter; and his
indolent face was now beautiful, now grotesque, at the color of his
thoughts. From a leathern thong about his neck hung a reed pipe, deftly
fashioned, and a bowl of wood carved about with grape-bunches dangled
from the twisted vine which girdled his waist. In one hand he held a
honey-comb, into which he bit with sharp white teeth, and on one arm he
carried branches torn from fig and almond trees, clustered with green
figs and with nuts. The two looked long at each other, the boy gravely,
the man smiling.
"Thou wilt know me another time," said the man with a throaty laugh.
"And I shall know thee. I have been watching thee a long time--I know
not why. But what is it thou dost hate? For me, I hate nothing. Hate is
wearisome."
The boy's gaze fixed itself upon the bright, insouciant face of the man
with a fascination he endeavored to throw off but could not. Presently
he spoke, and his voice was low and clear and deliberate.
"Hate is evil," he said.
"I know not what evil may be," said the man, a puzzled frown furrowing
the smooth brow for a swift moment. "Hunger, now, or lust, or sleep--"
"Hate is the thing that comes up in my throat and chokes me when I think
of tyranny," interrupted the boy, his eyes darkening.
"Why trouble to hate?" asked the man. He lifted his pipe to his lips and
blew a joyous succession of swift, unhesitant notes, as throbbing as the
heat, as vivid as the sunshine. His lithe throat bubbled and strained
with his effort, and his warm vitality poured through the mouthpiece of
the pipe and issued melodiously at the farther end. Noon deepened
through many shades of hot and slumberous splendor, the very silence
intensified by the brilliant pageant of sound. A great hawk at sail
overhead hung suddenly motionless upon unquivering wings. Every sheep in
the pasture across the road lifted a questioning nose, and the entire
flock moved swiftly nearer on a sudden impulse. And then the man threw
down his pipe, and the silence closed in softly upon the ebbing waves of
sound.
"Why trouble to hate?" he asked again, and sank his shoulder deeper into
the warm grass. His voice was as sleepy as the drone of distant bees,
and his dream-filmed eyes looked out through drooping lids. "I hate
nothing. It takes effort. It is easier to feel friendly with all
things--creatures, and men, and gods."
Public-domain text, read in full here on John Shaqi.
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