The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
In the spring Kathleen Somers had a relapse. It was no wonder. In spite
of the Franklin stoves, her frail body must have been chilled to the
bone for many months. Relief settled on several faces, when we heard--I
am afraid it may have settled on mine. She had been more dead than
alive, I judged, for a year; and yet she had not been able to cure her
sanity. That was chronic. Death would have been the kindest friend that
could arrive to her across those detested hills. We--the "we" is a
little vague, but several of us scurried about--sent up a trained nurse,
delaying somewhat for the sake of getting the woman who had been there
before; for she had the advantage of having experienced Melora Meigs
without resultant bloodshed. She was a nice woman, and sent faithful
bulletins; but the bulletins were bad. Miss Somers seemed to have so
little resistance: there was no interest there, she said, no willingness
to fight. "The will was slack." Ah, she little knew Kathleen Somers's
will! None of us knew, for that matter.
The spring came late that year, and in those northern hills there were
weeks of melting snow and raw, deep slush--the ugliest season we have to
face south of the Arctic circle. The nurse did not want any of her
friends to come; she wrote privately, to those of us who champed at the
bit, that Miss Somers was fading away, but not peacefully; she was
better unvisited, unseen. Miss Somers did not wish any one to come, and
the nurse thought it wiser not to force her. Several women were held
back by that, and turned with relief to Lenten opera. The opera,
however, said little to Withrow at the best of times, and he was crazed
by the notion of not seeing her before she achieved extinction. I
thought him unwise, for many reasons: for one, I did not think that
Arnold Withrow would bring her peace. She usually knew what she
wanted--wasn't that, indeed, the whole trouble with her?--and she had
said explicitly to the nurse that she didn't want Arnold Withrow. But by
the end of May Withrow was neither to hold nor to bind: he went. I
contented myself with begging him at least not to poison her last hours
by admiring the landscape. I had expected my earnest request to shock
him; but, to my surprise, he nodded understandingly. "I shall curse the
whole thing out like a trooper, if she gives me the chance." And he got
into his daycoach--the Pullmans wouldn't go on until much later--a
mistaken and passionate knight.
Withrow could not see her the first evening, and he talked long and
deeply with the nurse. She had no hope to give him: she was mystified.
It was her opinion that Kathleen Somers's lack of will was killing her,
speedily and surely. "Is there anything for her to die of?" he asked.
"There's nothing, you might say, for her to _live_ of," was her reply.
The nurse disapproved of his coming, but promised to break the news of
his presence to her patient in the morning.
Public-domain text, read in full here on John Shaqi.
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