The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Spring had by this time touched the hills. It was that divine first
moment when the whole of earth seems to take a leap in the night; when
things are literally new every morning. Arnold walked abroad late,
filling his lungs and nostrils and subduing his pulses. He was always
faunishly wild in the spring; and for years he hadn't had a chance to
seek the season in her haunts. But he turned in before midnight, because
he dreaded the next day supremely. He didn't want to meet that face to
face until he had to. Melora Meigs lowered like a thunderstorm, but she
was held in check by the nurse. I suppose Melora couldn't give notice:
there would be nothing but the poor-farm for her if she did. But she
whined and grumbled and behaved in general like an electrical
disturbance. Luckily, she couldn't curdle the milk.
Withrow waked into a world of beauty. He walked for an hour before
breakfast, through woods all blurred with buds, down vistas brushed with
faint color. But he would have given the spring and all springs to come
for Kathleen Somers, and the bitter kernel of it was that he knew it. He
was sharp-faced and sad (I know how he looked) when he came back, with a
bunch of hepaticas, to breakfast.
The nurse was visibly trembling. You see, Kathleen Somers's heart had
never been absolutely right. It was a terrible responsibility to let her
patient face Withrow. Still, neither she nor any other woman could have
held Withrow off. Besides, as she had truly said, there was nothing
explicitly for Kathleen Somers to die of. It was that low vitality, that
whispering pulse, that listlessness; then, a draught, a shock, a bit of
over-exertion and something real and organic could speedily be upon her.
No wonder the woman was troubled. In point of fact, though she had taken
up Miss Somers's breakfast, she hadn't dared tell her the news. And
finally, after breakfast, she broke down. "I can't do it, Mr. Withrow,"
she wailed. "Either you go away or I do."
Withrow knew at first only one thing: that he wouldn't be the one to go.
Then he realized that the woman had been under a long strain, what with
the spring thaws, and a delicate patient who wouldn't mend--and Melora
to fight with, on behalf of all human decency, every day.
"You go, then," he said finally. "I'll take care of her."
The nurse stared at him. Then she thought, presumably, of Kathleen
Somers's ineffable delicacy, and burst out laughing. Hysteria might, in
all the circumstances, be forgiven her.
Then they came back to the imminent question.
"I'll tell her when I do up her room," she faltered.
"All right. I'll give you all the time in the world. But she must be
told I'm here--unless you wish me to tell her myself." Withrow went out
to smoke. But he did not wish to succumb again to the intoxication
Kathleen Somers so disdained, and eventually he went into the barn, to
shut himself away from temptation. It was easier to prepare his
vilifying phrases there.
Public-domain text, read in full here on John Shaqi.
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