The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The mother-in-law was the soul of goodness. She took the place of a
servant in the home and got no pay. When her daughter wanted to go to a
picture show she waved her hand and smiled. "Go on," she said. "I don't
want to go. I'd rather sit here." She got a book and sat reading. The
little boy of nine awoke and cried. He wanted to sit on the po-po. The
mother-in-law attended to that.
After the man and his wife came home the three people sat in silence for
an hour or two before bedtime. The man pretended to read a newspaper. He
looked at his hands. Although he had washed them carefully grease from
the bicycle frames left dark stains under the nails. He thought of the
Iowa girl and of her white quick hands playing over the keys of a
typewriter. He felt dirty and uncomfortable.
The girl at the factory knew the foreman had fallen in love with her and
the thought excited her a little. Since her aunt's death she had gone to
live in a rooming house and had nothing to do in the evening. Although
the foreman meant nothing to her she could in a way use him. To her he
became a symbol. Sometimes he came into the office and stood for a
moment by the door. His large hands were covered with black grease. She
looked at him without seeing. In his place in her imagination stood a
tall slender young man. Of the foreman she saw only the gray eyes that
began to burn with a strange fire. The eyes expressed eagerness, a
humble and devout eagerness. In the presence of a man with such eyes she
felt she need not be afraid.
She wanted a lover who would come to her with such a look in his eyes.
Occasionally, perhaps once in two weeks, she stayed a little late at the
office, pretending to have work that must be finished. Through the
window she could see the foreman, waiting. When every one had gone she
closed her desk and went into the street. At the same moment the foreman
came out at the factory door.
They walked together along the street, a half-dozen blocks, to where she
got aboard her car. The factory was in a place called South Chicago and
as they went along evening was coming on. The streets were lined with
small unpainted frame houses and dirty-faced children ran screaming in
the dusty roadway. They crossed over a bridge. Two abandoned coal barges
lay rotting in the stream.
He went along by her side walking heavily, striving to conceal his
hands. He had scrubbed them carefully before leaving the factory but
they seemed to him like heavy dirty pieces of waste matter hanging at
his side. Their walking together happened but a few times and during one
summer. "It's hot," he said. He never spoke to her of anything but the
weather. "It's hot," he said; "I think it may rain."
Public-domain text, read in full here on John Shaqi.
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