The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Let me give you, at once, the few facts I could gather about French Eva.
There were rumors a-plenty, but most of them sifted down to a little
residual malice. I confined my questionings to the respectable
inhabitants of Naapu; they were a very small circle. At last, I got some
sort of "line" on French Eva.
None within our ken fathered or mothered her. Old Dubois knew most about
her, but old Dubois, a semi-paralyzed colossus, "doped" most of the
time, kept his thick lips closed. "An excellent girl" was all that any
one could wring from him. As she had begun life on Naapu by being _dame
de comptoir_ for him, he had some right to his judgment. She had
eventually preferred independence, and had forsaken him; and if he still
had no quarrel with her, that speaks loudly for her many virtues.
Whether Dubois had sent for her originally, no one knew. His memory was
clouded by opium, and you could get little out of him. Besides, by the
time I arrived on Naapu, French Eva belonged to the landscape and to
history. She was generally supposed to be pure French, and her accent
supported the theory, though she was in a small way a linguist. Her
English was as good as any one's--on Naapu, where we were by no means
academic. She could speak the native tongue after a fashion, and her
beche-de-mer was at least fluent.
I had heard of the lady before I ever saw her, and had wondered why
Naapu chose to distinguish a female fish-vender--even if she had begun
with old Dubois. As soon as I clapped eyes on her, I perceived her
distinction, her "difference"--the reason for the frequent "Mam'selle."
She was, at first glimpse, unusual. To begin with, never was so white a
face matched with hair and brows and eyes so black. In the ordinary
pursuit of her business she wore her hair half loose, half braided, down
her back; and it fell to her knees like a heavy crape veil. A bad
simile, you will say; but there are no words to express the unrelieved
blackness of her hair. There were no lights in it; no "reflets," to use
the French phrase. It might have been "treated" with ink. When, on rare
occasions--not often, for the weight of it, as she freely explained,
made her head ache--she put it up in coils, it was like a great mourning
bonnet under which her white face seemed to shrink away. Her eyes were
nearly as black as her hair. Her figure was very lovely, whether in
forming the loose native garment or laced into her silk dress.
Public-domain text, read in full here on John Shaqi.
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