"If you are not tired, Mrs. Vanderbridge would like to dictate a few letters," she said presently, and they were the first words she had spoken. "I am not a bit tired. Will you take me to her?" One of the reasons, I knew, which had decided Mrs. Vanderbridge to engage me was the remarkable similarity of our handwriting. We were both Southerners, and though she was now famous on two continents for her beauty, I couldn't forget that she had got her early education at the little academy for young ladies in Fredericksburg. This was a bond of sympathy in my thoughts at least, and, heaven knows, I needed to remember it while I followed the maid down the narrow stairs and along the wide hall to the front of the house. In looking back after a year, I can recall every detail of that first meeting. Though it was barely four o'clock, the electric lamps were turned on in the hall, and I can still see the mellow light that shone over the staircase and lay in pools on the old pink rugs, which were so soft and fine that I felt as if I were walking on flowers. I remember the sound of music from a room somewhere on the first floor, and the scent of lilies and hyacinths that drifted from the conservatory. I remember it all, every note of music, every whiff of fragrance; but most vividly I remember Mrs. Vanderbridge as she looked round, when the door opened, from the wood fire into which she had been gazing. Her eyes caught me first. They were so wonderful that for a moment I couldn't see anything else; then I took in slowly the dark red of her hair, the clear pallor of her skin, and the long, flowing lines of her figure in a tea-gown of blue silk. There was a white bearskin rug under her feet, and while she stood there before the wood fire, she looked as if she had absorbed the beauty and colour of the house as a crystal vase absorbs the light. Only when she spoke to me, and I went nearer, did I detect the heaviness beneath her eyes and the nervous quiver of her mouth, which drooped a little at the corners. Tired and worn as she was, I never saw her afterwards--not even when she was dressed for the opera--look quite so lovely, so much like an exquisite flower, as she did on that first afternoon. When I knew her better, I discovered that she was a changeable beauty, there were days when all the colour seemed to go out of her, and she looked dull and haggard, but at her best no one I've ever seen could compare with her.