The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
She asked me a few questions, and though she was pleasant and kind, I
knew that she scarcely listened to my responses. While I sat down at the
desk and dipped my pen into the ink, she flung herself on the couch
before the fire with a movement which struck me as hopeless. I saw her
feet tap the white fur rug, while she plucked nervously at the lace on
the end of one of the gold-coloured sofa cushions. For an instant the
thought flashed through my mind that she had been taking something--a
drug of some sort--and that she was suffering now from the effects of
it. Then she looked at me steadily, almost as if she were reading my
thoughts, and I knew that I was wrong. Her large radiant eyes were as
innocent as a child's.
She dictated a few notes--all declining invitations--and then, while I
still waited pen in hand, she sat up on the couch with one of her quick
movements, and said in a low voice, "I am not dining out to-night, Miss
Wrenn. I am not well enough."
"I am sorry for that." It was all I could think of to say, for I did not
understand why she should have told me.
"If you don't mind, I should like you to come down to dinner. There will
be only Mr. Vanderbridge and myself."
"Of course I will come if you wish it." I couldn't very well refuse to
do what she asked me, yet I told myself, while I answered, that if I had
known she expected me to make one of the family, I should never, not
even at twice the salary, have taken the place. It didn't take me a
minute to go over my slender wardrobe in my mind and realize that I had
nothing to wear that would look well enough.
"I can see you don't like it," she added after a moment, almost
wistfully, "but it won't be often. It is only when we are dining alone."
This, I thought, was even queerer than the request--or command--for I
knew from her tone, just as plainly as if she had told me in words, that
she did not wish to dine alone with her husband.
"I am ready to help you in any way--in any way that I can," I replied,
and I was so deeply moved by her appeal that my voice broke in spite of
my effort to control it. After my lonely life I dare say I should have
loved any one who really needed me, and from the first moment that I
read the appeal in Mrs. Vanderbridge's face I felt that I was willing to
work my fingers to the bone for her. Nothing that she asked of me was
too much when she asked it in that voice, with that look.
"I am glad you are nice," she said, and for the first time she smiled--a
charming, girlish smile with a hint of archness. "We shall get on
beautifully, I know, because I can talk to you. My last secretary was
English, and I frightened her almost to death whenever I tried to talk
to her." Then her tone grew serious. "You won't mind dining with us.
Roger--Mr. Vanderbridge--is the most charming man in the world."
"Is that his picture?"
"Yes, the one in the Florentine frame. The other is my brother. Do you
think we are alike?"
Public-domain text, read in full here on John Shaqi.
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