"Since you've told me, I notice a likeness." Already I had picked up the Florentine frame from the desk, and was eagerly searching the features of Mr. Vanderbridge. It was an arresting face, dark, thoughtful, strangely appealing, and picturesque--though this may have been due, of course, to the photographer. The more I looked at it, the more there grew upon me an uncanny feeling of familiarity; but not until the next day, while I was still trying to account for the impression that I had seen the picture before, did there flash into my mind the memory of an old portrait of a Florentine nobleman in a loan collection last winter. I can't remember the name of the painter--I am not sure that it was known--but this photograph might have been taken from the painting. There was the same imaginative sadness in both faces, the same haunting beauty of feature, and one surmised that there must be the same rich darkness of colouring. The only striking difference was that the man in the photograph looked much older than the original of the portrait, and I remembered that the lady who had engaged me was the second wife of Mr. Vanderbridge and some ten or fifteen years younger, I had heard, than her husband. "Have you ever seen a more wonderful face?" asked Mrs. Vanderbridge. "Doesn't he look as if he might have been painted by Titian?" "Is he really so handsome as that?" "He is a little older and sadder, that is all. When we were married it was exactly like him." For an instant she hesitated and then broke out almost bitterly, "Isn't that a face any woman might fall in love with, a face any woman--living or dead--would not be willing to give up?" Poor child, I could see that she was overwrought and needed some one to talk to, but it seemed queer to me that she should speak so frankly to a stranger. I wondered why any one so rich and so beautiful should ever be unhappy--for I had been schooled by poverty to believe that money is the first essential of happiness--and yet her unhappiness was as evident as her beauty, or the luxury that enveloped her. At that instant I felt that I hated Mr. Vanderbridge, for whatever the secret tragedy of their marriage might be, I instinctively knew that the fault was not on the side of the wife. She was as sweet and winning as if she were still the reigning beauty in the academy for young ladies. I knew with a knowledge deeper than any conviction that she was not to blame, and if she wasn't to blame, then who under heaven could be at fault except her husband?