The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Not for many years," she said, and for the first time her voice shook.
"_Ah--h!_" His breath went inwards.
Suddenly he began to fumble among the bed clothes.
"The picture," he said incoherently, "your mother's picture. Pick it
up," he ordered, his eyelids drooping strangely. "No--no--under the
_bed_."
Before I could stop her she had dropped to her knees and was fumbling
among the rolls of dust under the bed. An overpowering dread had
clutched at me, forcing the air from my lungs. But in that instant he
had raised himself, by what must have been an almost incredible exercise
of will, and grabbed her by the throat.
"_Curse you!_" he cried, shaking her as one would a rat, "you and your
mother--_cur_--"
His hands dropped away, limp and brittle like withered leaves. He fell
back.--
* * * * *
Of course they will always find excuses for the dead, and eulogies. Even
as I helped her into Jim's small curtained car and took my place at the
wheel, I knew that the things that they would say about her would be
more than I could bear. We plunged forward, and a moment later, rounding
a curve, our headlights came full upon the outlines of the old farm with
its hideous false facade. I could not resist glancing at her, though I
said nothing. Her eyes were on her hands, held loosely in her lap. She
did not look at me until, with another lurch, we had swung about again,
and all but the road in front of us was drawn back swiftly into
obscurity. I found that she had turned towards me then, and, as I laid
one hand across her arm, I felt her relax to a relieved trembling.
Before us the night crowded down over the countryside, masking its
ugliness like a film, through which our lights cut a white fissure
towards town.
SHELBY[20]
By CHARLES HANSON TOWNE
(From _The Smart Set_)
When I sit down to write of Shelby--Lucien Atterwood Shelby, the author,
whose romantic books you must have read, or at least heard of--I find
myself at some difficulty to know where to begin. I knew him so well at
one time--so little at another; and men, like houses, change with the
years. Today's tenant in some old mansion may not view the garden as you
did long ago; and the friend of a man's later years may not hold the
same opinions the acquaintance of an earlier period once formed.
I think it best to begin with the time I met Shelby on the newspaper
where we both, as cub reporters, worked. That was exactly twenty years
ago.
The boys didn't take to Shelby. He was too dapper, too good-looking, and
he always carried a stick, as he called it; we were unregenerate enough
to say cane. And, most loathsome of all, he had an English
accent--though he was born in Illinois, we afterwards learned. You can
imagine how this accent nettled us, for we were all unassuming
lads--chaps, Shelby would have called us--and we detested "side."
Public-domain text, read in full here on John Shaqi.
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