The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
But how this new acquisition to the staff could write! It bothered us to
see him hammer out a story in no time, for most of us had to work over
our copy, and we made Hanscher, the old managing editor, raving mad
sometimes with our dilatoriness. I am afraid that in those sadly distant
days we frequented too many bars, and no doubt we wasted some of our
energy and decreased our efficiency. But every young reporter drank more
or less; and when Shelby didn't mix with us, and we discovered that he
took red wine with his dinner at Mouqin's--invariably alone--we hated
him more than ever.
I remember well how Stanton, the biggest-hearted fellow the Lord ever
let live, announced one night in the copy room that he was going to get
Shelby tight or die in the attempt, and how loud a laugh went up at his
expense.
"It can't be done," was the verdict.
The man hadn't enough humanity, we figured. He was forever dramatizing
himself, forever attitudinizing. And those various suits of his--how
they agonized us! We were slouches, I know, with rumpled hair and, I
fear not overparticular as to our linen during the greater part of the
week. Some of us had families to support, even in those young days--or
at least a father or a mother up the State to whom we had to send a
monthly cheque out of our meagre wages.
I can't say that we were envious of Shelby because of his
single-blessedness--he was only twenty-two at that time; but it hurt us
to know that he didn't really have to work in Herald Square, and that he
had neat bachelor quarters down in Gramercy Park, and a respectable club
or two, and week-ended almost where he chose. His blond hair was always
beautifully plastered over a fine brow, and he would never soil his
forehead by wearing a green shade when he bent over his typewriter late
at night. That would have robbed him of some of his dignity, made him
look anything but the English gentleman he was so anxious to appear.
I think he looked upon us as just so much dust beneath his feet. He
would say "Good evening" in a way that irritated every one of us--as
though the words had to be got out somehow, and he might as well say
them and get them over with, and as though he dreaded any reply. You
couldn't have slapped him on the back even if you had felt the impulse;
he wasn't the to-be-slapped kind. And of course that means that he
wouldn't have slapped any of us, either. And he was the type you
couldn't call by his first name.
Public-domain text, read in full here on John Shaqi.
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