The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
After twenty years I saw Deolda Costa again, Deolda who, when I was a
girl, had meant to me beauty and romance. There she sat before me,
large, mountainous, her lithe gypsy body clothed in fat. Her dark eyes,
beautiful as ever, still with a hint of wildness, met mine proudly. And
as she looked at me the old doubts rose again in my mind, a cold chill
crawled up my back as I thought what was locked in Deolda's heart. My
mind went back to that night twenty years ago, with the rain beating its
devil's tattoo against the window, when all night long I sat holding
Deolda's hand while she never spoke or stirred the hours through, but
stared with her crazy, smut-rimmed eyes out into the storm where Johnny
Deutra was. I heard again the shuttle of her feet weaving up and down
the room through the long hours.
It was a strange thing to see Deolda after having known her as I did.
There she was, with her delight of life all changed into youngsters and
fat. There she was, heavy as a monument, and the devil in her divided
among her children--though Deolda had plenty of devil to divide.
My first thought was: "Here's the end of romance. To think that you once
were love, passion, and maybe even carried death in your hand--and when
I look at you now!"
Then the thought came to me, "After all, it is a greater romance that
she should have triumphed completely, that the weakness of remorse has
never set its fangs in her heart." She had seized the one loophole that
life had given her and had infused her relentless courage into another's
veins.
I was at the bottom of Deolda Costa's coming to live with my aunt
Josephine Kingsbury, for I had been what my mother called "peaked," and
was sent down to the seashore to visit her. And suddenly I, an inland
child, found myself in a world of romance whose very colors were
changed. I had lived in a world of swimming green with faint blue
distance; hills ringed us mildly; wide, green fields lapped up to our
houses; islands of shade trees dotted the fields.
My world of romance was blue and gray, with the savage dunes glittering
gold in the sun. Here life was intense. Danger lurked always under the
horizon. Lights, like warning eyes, flashed at night, and through the
drenching fog, bells on reefs talked to invisible ships. Old men who
told tales of storm and strange, savage islands, of great catches of
fish, of smuggling, visited my aunt.
Then, as if this were merely the background of a drama, Deolda Costa
came to live with us in a prosaic enough fashion, as a "girl to help
out."
Public-domain text, read in full here on John Shaqi.
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