The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
If you ask me how my aunt, a decent, law-abiding woman--a sick woman at
that--took a firebrand like Deolda into her home, all I would be able to
answer is: If you had seen her stand there, as I did, on the porch that
morning, you wouldn't ask the question. The doorbell rang and my aunt
opened it, I tagging behind. There was a girl there who looked as though
she were daring all mankind, a strange girl with skin tawny, like sand
on a hot day, and dark, brooding eyes. My aunt said:
"You want to see me?"
The girl glanced up slowly under her dark brows that looked as if they
had been drawn with a pencil.
"I've come to work for you," she said in a shy, friendly fashion. "I'm a
real strong girl."
No one could have turned her away, not unless he were deaf and blind,
not unless he were ready to murder happiness. I was fifteen and
romantic, and I was bedazzled just as the others were. She made me think
of dancing women I have heard of, and music, and of soft, starlit
nights, velvet black. She was more foreign than anything I had ever seen
and she meant to me what she did to plenty of others--romance. She must
have meant it to my aunt, sick as she was and needing a hired girl. So
when Deolda asked, in that soft way of hers:
"Shall I stay?"
"Yes," answered my aunt, reluctantly, her eyes on the girl's lovely
mouth.
While she stood there, her shoulders drooping, her eyes searching my
aunt's face, she still found time to shoot a glance like a flaming
signal to Johnny Deutra, staring at her agape. I surprised the glance,
and so did my aunt Josephine, who must have known she was in for nothing
but trouble. And so was Johnny Deutra, for from that first glance of
Deolda's that dared him, love laid its heavy hand on his young
shoulders.
"What's your name, dear?" my aunt asked.
"Deolda Costa," said she.
"Oh, you're one-armed Manel's girl. I don't remember seeing you about
lately."
"I been working to New Bedford. My father an' mother both died. I came
up for the funeral. I--don't want to go back to the mills--" Then sudden
fury flamed in her. "I hate the men there!" she cried. "I'd drown before
I'd go back!"
"There, there, dear," my aunt soothed her. "You ain't going back--you're
going to work for Auntie Kingsbury."
That was the way Deolda had. She never gave one any chance for an
illusion about her, for there was handsome Johnny Deutra still hanging
round the gate watching Deolda, and she already held my aunt's heart in
her slender hand.
My aunt went around muttering, "One-armed Manel's girl!" She appealed to
me: "She's got to live somewhere, hasn't she?"
I imagine that my aunt excused herself for deliberately, running into
foul weather by telling herself that Deolda Was her "lot," something the
Lord had sent her to take care of.
"Who was one-armed Manel?" I asked, tagging after my aunt.
Public-domain text, read in full here on John Shaqi.
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