The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Oh, he was a queer old one-armed Portygee who lived down along," said
my aunt, "clear down along under the sand dunes in a green-painted house
with a garden in front of it with as many colors as Joseph's coat. Those
Costas lived 'most any way." Then my aunt added, over her shoulder:
"They say the old woman was a gypsy and got married to one-armed Manel
jumping over a broomstick. And I wouldn't wonder a mite if 'twas true.
She was a queer looking old hag with black, piercing eyes and a proud
way of walking. The boys are a wild crew. Why, I remember this girl
Deolda, like a little leopard cat with blue-black shadows in her hair
and eyes like saucers, selling berries at the back door!"
My uncle Ariel, Aunt Josephine's brother, came in after a while. As he
took a look at Deolda going out of the room, he said:
"P--hew! What's that?"
"I told you I was sick and had to get a girl to help out--what with
Susie visiting and all," said my aunt, very short.
"Help out? Help out! My lord! _help out!_ What's her name--Beth Sheba?"
Now this wasn't as silly as it sounded. I suppose what Uncle Ariel meant
was that Deolda made him think of Eastern queens and Araby. But my
attention was distracted by the appearance of two wild-looking boys with
a green-blue sea chest which served Deolda as a trunk. I followed it to
her room and started making friends with Deolda, who opened the trunk,
and I glimpsed something embroidered in red flowers.
"Oh, Deolda, let me see. Oh, let me see!" I cried.
It was a saffron shawl all embroidered with splotchy red flowers as big
as my hand. It made me tingle as it lay there in its crinkly folds,
telling of another civilization and other lands than our somber shores.
The shawl and its crawling, venomous, alluring flowers marked Deolda off
from us. She seemed to belong to the shawl and its scarlet insinuations.
"That was my mother's," she said. Then she added this astounding thing:
"My mother was a great dancer. All Lisbon went wild about her. When she
danced the whole town went crazy. The bullfighters and the princes would
come--"
"But how--?" I started, and stopped, for Deolda had dropped beside the
chest and pressed her face in the shawl, and I remembered that her
mother was dead only a few days ago, and I couldn't ask her how the
great dancer came to be in Dennisport in the cabin under the dunes. I
tiptoed out, my heart thrilled with romance for the gypsy dancer's
daughter.
When my aunt was ready for bed there was no Deolda. Later came the sound
of footsteps and my aunt's voice in the hall outside my room.
"That you, Deolda?"
"Yes'm."
"Where were you all evening?"
"Oh, just out under the lilacs."
"For pity's sake! Out under the lilacs! What were you doing out there?"
Deolda's voice came clear and tranquil. "Making love with Johnny
Deutra."
I held my breath. What can you do when a girl tells the truth unabashed.
Public-domain text, read in full here on John Shaqi.
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