The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Well, at last the ceremonial started up with a great banging of drums
and all that. It was a great scene, let me tell you, with the tumbled
vegetation, glaringly colored as if a scene painter had gone crazy.
There were the flashing birds--blood-colored and orange scarlet and
yellow, gold and green. Butterflies, too,--great gaudy things that
looked like moving flowers. And the noise and chatterings and whistlings
in the trees of birds and insects. There were flowers and fruits, and
eatings and speech-makings. As far as I could gather, the chief speakers
were congratulating the hearers upon their luck in belonging to the
Tlingas, which was the greatest tribe on earth and the favorite of Naol,
the lizard god. We capered round the tribal pole, I capering with the
rest of them of course. Somerfield took a picture of it. Then there was
a procession of prospective mothers with Ista among them. Rotten, I
thought it. Don't imagine female beauty, by the way, as some of the
writers on savage life would have you imagine it. Nothing of the kind.
White, black or yellow, I never saw a stark woman that looked beautiful
yet. That's all bunk. Muscular and strong, yes. That's a kind of beauty
in its way. True as God, I believe that one of the causes of unhappy
marriages among white folk is that the lads are fed upon false notions
about womanly beauty, and when they get the reality they think that
they've captured a lemon.
"Presently the crowd quieted down and the men were set around in a
semicircle with me and Somerfield at the end. Then a red-eyed old hag
tottered out and began cursing Somerfield. She spat in his face and
called him all outrageous names that came to her vindictive tongue.
Luckily it was that he had been put next, and so, forewarned, was able
to grin and bear it. But Lord, how she did tongue-lash him. Then she
took a flat piece of wood, shaped like a laurel leaf, which was fastened
to a thin strip of hide, and showed him that. It was a kind of charm,
and on it was cut one of the running lizards. She wanted him to rub it
on his forehead. Of course with his notions of religion he wouldn't do
it. That's natural. When she passed it to me, I did what she wanted
done. I never was particular that way. Symbols mean nothing anyway and
if fools are in the majority, it's no use stirring up trouble. It's
playing a lie of course, but then that's the part of wisdom it seems to
me, sometimes. It's in a line with protective coloring. You remember
what I said about the proper mounting of your specimens don't you? Well,
it's like that. That's why persecutions have never stamped out opinions
nor prohibitions appetites. The wisest keep their counsel and go on as
usual. The martyrs are the weak fools. But let's see. Where was I? Oh,
yes. The old woman and the piece of wood.
"She began running from this one to that, kind of working herself up
into a frenzy. Then she started to chant some old nonsense. There was a
rhythm to it. She sang:
Public-domain text, read in full here on John Shaqi.
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