The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
'Nao calls for the useless.'
"Then the rest of them would shout
'Nao calls. Nao calls.'
"There was a terrible lot of it. The main purport was that this Nao was
the ruling devil or god of the place. It called for the sacrifice of the
useless. Many men were needed so that the one should be born who would
lead the Tlingas to victory. That was the tone of it, and at the end of
every line she sang, the crowd joined in with the refrain.
'Nao calls. Nao calls.'
"Of course they became worked up. She handled them pretty much the same
as a skillful speaker does things at a political meeting or an
evangelist at a revival. The same spirit was there. Instead of a flag,
there was the tribal pole. There was the old gag of their nation or
tribe being the chosen one. I don't care where you go, there is always
the same thing. Every tribe and nation is cock-sure that theirs is the
best. They have the bravest and the wisest men and the best women. But I
kept nudging Somerfield. It was hard on him. He was the Judas and the
traitor and all that. 'Damn-fool superstition,' he muttered to me time
and again. But of course he was a bit nervous, and so was I. Being in
the minority is awkward. The human brain simply isn't strong enough to
encounter organized opposition. It wears. You spend too much energy
being on the defensive.
"After a time, when the song was done, the old hag seemed pretty well
played out. Then she passed the piece of wood I told you of to a big
buck, and he started to whirling it round and round. He was a skillful
chap at the trick, and in a little had it whirling and screaming. Then
presently some of the birds fell to noise making just as you will hear
canaries sing when some one whistles, or women talk when a piano
commences to play. I saw something of the same down in Torres Straits.
They call it the Twanyirika there. In the Malay Peninsula they use
something of the kind to scare the elephants out of the plantations.
They've got it on the Gold Coast as well. It's called the Oro there.
Really it's all over the world. I've seen Scotch herd boys use something
like it to scare the cattle, and Mexican sheep herders in Texas to make
the sheep run together when they scatter too far. Of course there's
really nothing to be scared of, but when it comes near you, you feel
inclined to duck. To me, it was the feeling that the flat piece of wood
would fly off and hit me. You always duck when you hear a whizzing.
Still, the priests or medicine men trade on the head-ducking tendency.
So, somehow, in the course of time, it gets so that those that listen
have to bow down. Oh, yes! You say it's ridiculous and fanciful and all
that sort of thing. I know. I have heard others say the same. It's only
a noise and nothing to be scared of. But then, when you come to think of
it, most men are scared of noise. They're like animals in that respect.
What is a curse but a noise? Yet most men are secretly afraid of
curses. They're uneasy under them.
Public-domain text, read in full here on John Shaqi.
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