The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
When I have waited a little while at a place which has recently been
added for the graves of poor people, the great black motor coach,
splashed with mud, appears suddenly out of the city and enters one
of the small stone gateways at the southeastern corner. There is a
stone lodge there, and a bell over the gates tolls briefly as the
coach comes in. Then the vehicle follows a road parallel to a lonely
bare wet red-paved street outside, in which long dingy trolley cars
pass at intervals; and comes quickly to where I am. The sand here
is entirely bare; the few old forest trees are neglected; and the
graves lie in long close rows. They have no stones, but there are
dead rotten flowers on some of the newest, fluttering forlornly from
cardboard frames wound with lead foil and adorned with letters of
crinkly purple paper. Some graves have been covered with white cotton
cloth fastened to the ground by pegs; but that is all. Ragged rotten
brown leaves lie in the hollows of the sand, where brown weeds stand;
and wet newspapers are blown about by the cold wind.
In this shabby somber place on the dun earth of the boundless lake
country, beside the harsh ugly city in which he has been an unwelcome
stranger, but under the great white sky, too, the body of the servant
of God is to be laid.
The coach stops in the muddy road, and the escort, all negroes
except the undertaker and his agile assistant, descend in the mist.
Those who are to carry the coffin gather uncertainly, and with the
assistance of the undertaker and his man take it down. Then an
irregular procession is formed, the bearers take off their hats, and
slowly and stumblingly all move off up the slope on a mat of tan jute
with two red stripes, that has been laid on the mud, and make their
way among the graves. Shabby, ordinary people in their greatcoats
and hats of different dull colors, with their umbrellas and rubber
storm shoes, no one of them is much moved as they creep with their
dead man like tiny worms on the yellow sand beneath the sky. When the
poor black coffin has been put down on the canvas bands of the wooden
frame around the grave, all stand back quietly while something that I
cannot hear at my distance is read or said. Some of the women sob out
then. The coffin descends slowly from sight into the damp yellow sand.
Out at a distance over the swampy fields beyond the stream, large
black crows flap noisily around a lone tree; from a tiny locomotive
on railway trackage far away white steam rises with a faint roar.
The mist in the air is rapidly turning to falling rain.
Public-domain text, read in full here on John Shaqi.
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