The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
She stared at the rumbling taxis that splashed hither and thither;
at the zig-zag drizzle, the steady downpour, and her eyes suddenly
filled. Thoughts of home were awakened within her by the rain. Her
brain and heart, hitherto as if congealed by the terror of the
strange world before her, now thawed and filled her with a gnawing
sadness and self-pity. How is it at home now? her thoughts ran. How
is it at home? It rains. There is the muddy road, the ruts and the
pools. Father is indoors now, back from the field. The gray dusk
falls. Mother sits with folded arms by the window and gazes longingly
out into the dark.
“Are you looking for me?” the figure in the window, forgetting
herself, suddenly wailed. “Mother, mother dear, take me to you. I
ain’t used to this; I’m so lonely and afraid.”
Her lips trembled visibly. A spasm shot across her face and
contracted it--and many of the crowd outside who made “mouths” at
her, burst into a triumphant hurrah. “She laughed!” roared a colored
man so loud that it reached the manager, who forthwith decided to
discharge the “figure.” “I get the prize,” yelled others. “I made her
laugh! I made her laugh!”
[19] Copyright, 1921, by Brief Stories Publishing Company.
Copyright, 1923, by Benjamin Rosenblatt.
FROM THE OTHER SIDE OF
THE SOUTH[20]
By WILBUR DANIEL STEELE
(From _The Pictorial Review_)
The day had been dead hot. Under the weight of the afternoon one
would have thought it could never be cool again in the Mzab. But
immediately the sun had dipped behind the cliff that guards the
western rim of the oasis the thin air emptied itself, and the
night-chill, penetrating and treacherous, flowed over the dry bottom
of the _oued_.
The town stirred. Under my gallery there came and went a word-fight
between Berber muleteers from the north. After that I heard the
evening call of the muezzin dropping down from the mosque-tower on
the crowded hill, arid, sinuous, like the note of another wooden
well-wheel shrilling above the desert floor. Then somewhere under a
house arose the hollow voice of a tambour struck with a thumb, and a
man sang. In a rift of silence a wandering breeze threshed all the
date-fronds in the _oued_-bottom with a phantom of distant applause.
Nearer at hand a foot-scuffle in the dusk. A choked laugh. And all
around in the heavy shadows of that quarter the subdued giggling, the
rustling, and jewel-clanking of the women of dark delight.
“What’s wrong with the Ouled Naïl girls to-night?” I asked along the
gallery. Abd, son of Abdallah the Mozabite, rose to his feet on the
tiles near the stair, a white wraith.
“_Kain kairouan ja, sidi._” (There is a caravan come.)
Drums banged; women scurried. The momentous night was established and
stars sprinkled the sky, large and restless stars, always flickering
a little to the eye in that air without body.
Public-domain text, read in full here on John Shaqi.
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