The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I sat at an island crossroads of the western Sahara, where the pale,
blurred sand-courses, like the wakes of ships, come up the bald skin
of the globe from the green mysteries that lie months away on the
other side of the south.
“Abd!” I called, “where does the caravan come from, east or west?”
Abd was gone. On the tiles I heard the fall of a Christian boot.
Borak, the Englishman, came toward me in the shadows.
“I wonder you’re not out,” he said. “The caravan comes from the
south.”
“Not----!”
“Rather! This is a real one--like the old days again. Right away up
from under. You’d better have a look at the beggars; you’re romantic,
you know. Might not have another chance in a year.”
I put on my coat and went with him. Borak has been too long in
Africa, one part and another. He has forgotten that it is the Dark
Continent. As we walked he went on in his habitual vein of banter.
“It’s a tidy lot of heroes for you. You may imagine. Seven
‘moonlights’ on the trek, and I lay a pound sterling not a man in the
crowd has washed in the thirty weeks.”
“Thirty weeks!” I couldn’t help echoing it. “Lord!”
“There ought to be a story there, eh? As a matter of fact there
isn’t. I insist again that there’s more story, more poetry and
romance in the life of a Whitechapel coster than you’ll hear in a
year listening to these people. They lack imagination. They want the
mental whip of civilization; that’s it in a nutshell.”
I felt like saying “Bosh!” Borak is too dogmatic.
We were passing into the thick of the “low town,” and on our right
loomed the ugly oblong of the douane, the French custom-house that
stands at the converging of the deep-Sahara routes. Borak looked at
it and chuckled.
“Old Arnauld” (the customs official) “is in a fair pother. There’s
a frighful mixture in the trek, blacks and browns from a dozen
different basins down below, and you may imagine there’s a lack
of passports. So that’s Arnauld’s job; to divine. Or rather it’s
Bou Dik’s job, for the orderly has all the work. When I passed the
market coming to you Bou Dik was tackling an old chap who claims to
be Senegal but looks away east of that, a pot-bellied old swine,
black as a chimney-pot, solemn as an archbishop, and blind as a bat.
I gather all he wants is to be let pass quietly on his way to Holy
Mekka, where he hopes to die. Bou Dik, though, is full of wild and
horrid notions. He has crossed the trail lately of a dervish man
who has the word that Mouley Saa[21] is now booked to descend in
the guise of a blackamoor, and naturally, having a fat berth with
the Infidel, Bou Dik isn’t going to let the Deliverer into _his_
department--not if he can help it. So just now Bou Dik is death and
leprosy on niggers. I wish you could have heard the row.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account