The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Her disquieting footfall followed him to the sitting-room. Her arm
gestured past him. “They got it from undertaker Norton, in Bessemer,”
she volunteered chattily under her breath.
“Yes.”
The dining-room door creaked to at last. He stood, rubbing the ball
of his right thumb with his forefinger, as if to cleanse each of
invisible irritating dust from the felt hat. The hat was gone; its
absence was a momentary annoyance, a perceptible gap in things.
There were two chairs. Both were against the same wall, toward the
front of the house. The mantel, the chair with flowers, the two
empty chairs, and ... it.... His restless mind took an unconscious
inventory. Instinctively he put off thinking about what lay within it.
He took the farther chair. They were almost a room’s length apart,
and this one was slightly nearer what had been the man he had loved.
She--the woman that he despised--could hardly think that his mere
sitting there could poison the air for her.
His mind wandered on. Honeysuckles were great flowers for funerals.
That sharp, stiff odor--it was like the look of dahlias, stiff, waxy.
There were some in old man Lunsford’s side yard. Maybe these came
from there. He could afford to give away, especially if it cost him
nothing: flowers ... advice.... Butting into people’s business, with
his skinny little face and weedy little beard, like his own weedy
front yard.
The dining-room door creaked open. A firmer step thudded on the
carpet. She came into the room, a thin hand shading her eyes, to make
him out. Then she sat in the empty chair.
“Evenin’, Louella.” It was her house, now; decency demanded that much.
“Evenin’.” The word was spat out.
She sat stiff on the chair-edge, white hands folded upon black
skirt. Her eyes pointed straight down the room. She said no more; he
kept still. The odor of the kerosene-lamp swayed with that of the
honey-suckles, mingled with a soiled scent he at last imagined must
come from the middle of the room.
She had not meant to speak beyond this. But she should have made it
civil. Maybe she had been a bit short. “Aunt Teby tol’ me yer were
here.”
His answer was framed after a pause. “Yes. I saw her.”
There was nothing more to be said about it. Each nursed sullen
dislike.
The stolid minutes passed. Occasional remote noises entered, looked
about, left swiftly. A pan banged from the rear of the house; a horse
neighed listlessly; doors creaked open and shut with exaggerated
quietness. These subsided. The stillness of death spread from the
middle of the room to the house and the farm without.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account