The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
He could watch her profile, in the lamp’s withdrawn glimmer. She
stared stonily down the room, away from him; there was no harm in
observing her unbeknown. Her hair was knotted in the back, a skimpy
knot; it lay flat and black above her forehead ... black, like her
dress. Her cheeks were thinner than he remembered seeing her have.
Her teeth stuck out, as always. They seemed the whitest thing in the
room; their stony inactivity held his imagination. He licked his lips
unconsciously.
There had not been a sound from the house for half an hour.
He stirred uncomfortably; the chair squeaked. “It doesn’t set
comfortable, to some,” she said, shortly.
“Not very.”
“Some folks think they’ve a right to be partic’lar.” Her tone was
sour, complaining.
He did not answer. Time drawled along; the tired minutes plodded
unendingly. Funny of Charley to want him and--her, who’d never teamed
a bit. Think of being married to such as her! Who wouldn’t die?...
Well, talk would make the night pass quicker.
He broke the icy silence. “Crowded tonight?” His right hand gestured
a vague circle.
“Yes. Two to a bed upstairs. Aunt Teby and Mary--cot in the kitchen.
Two of the boys in the dining room. Lucky yer don’t have to be fixed
for. Nowhere left.” She laughed without mirth.
His curious eyes travelled around. “Nothing to sleep on here.” They
returned to the middle of the room in fascination, as if he had
waited this excuse to revisit what was there. Afraid that she had
caught the morbid fancy, that there was a gruesome, yet possible,
couch, he hastened on. “Not that I can’t sleep in a chair, though.
But I reckon we won’t do much sleeping tonight.”
“No.” The spiteful warning that she would not trust herself asleep,
with him around, spoke in the sneering monosyllable.
In the hush that followed, his mind returned to the cold body lying
near. He fought against thinking of Charley Hawkins as a corpse; it
was of the young Charley, the chum of the years before the marriage,
that thoughts came. Memory after memory woke to life out of him,
with dizzying rapidity: memories remote from this musty, close room;
memories stained with vivid sunlight on fields of black-eyed Susans,
with shadow-dapple on the creek’s windings, with starry stretches of
windy night. A lively, vigorous Charley Hawkins had featured these
... a good looker, not like himself, his face spoiled from birth....
Yes, Charley had been a lively kid.... Baseball, a scrap, a hay-ride
to the river, especially whenever a girl was mixed up in it--Charley
was chain-lightning. There was that kid widow, Mamie Fagin. Just
one trick she had: when you kissed her--God! Her teeth against your
neck! The teeth were like Louella’s, he reflected, looking over at
Charley’s widow. Maybe Charley liked ’em with teeth that way; they
were always livelier to love.
Public-domain text, read in full here on John Shaqi.
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