The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The soul-shattering experience made them remember old words and old
curses. Customs and habits which had long ago fallen into disuse,
fallen by the wayside at the Ganges River, on the Turkestan roads,
rose to the surface again. The women formed a circle holding each
other’s braids and pulling hard, yelling and turning round and round.
The men stripped and flogged one another. At one time during the
night, when I had seen an altar built, I feared a return to human
sacrifice. But the fire was not lighted. An old Gypsy spoke and
stayed whatever was about to take place. He urged them to keep their
minds away. Not to commit themselves. For if Miora were stronger
and they had committed themselves mentally to the other one, they
were sure to be punished. So they danced rhythmless dances and sang
tuneless songs, buried their nails in the flesh of their faces and
their breasts, and howled with delight. In the end some one started
to repeat incessantly two words, “Cirtra, vatra; cirtra, vatra;
cirtra, vatra.” Soon they were all repeating the same words, holding
one another under the spell of their feverish, dilated eyes and the
jerking, nervous movements of their limbs and shoulders.
The loud moaning of Miora rose above the din of the monotone, which
soon became like an accompaniment to the wailing song. From time to
time this unearthly cacophony was punctured with a dry and piercing
report from Lica’s pistol.
In their distraction the Gypsies had not noticed the appearance of
Murdo in their midst. When they had noticed him they remained silent
and surrounded him. Oh, they believed in him and his witch! He could
see that in their eyes. Why had he thought it necessary to test them?
Murdo was in his bare feet and dressed only in a white shirt, held
closely to the hips with a wide red sash.
“Call Lica,” he ordered, “but let two men keep Miora in her tent.”
Lica came out. He was not too sure on his feet. I could see Murdo
remarked that. The old chief walked to where the young Gypsy was
standing, measured six feet away from him, opened the shirt at his
chest until the gray-haired surface was exposed, and said:
“Aim well, Lica, for I want no excuse afterward. It is known thou art
the best shot of the tribe.”
Miora howled her loudest. The others were awe-struck and silent.
“Now,” and the old chief leveled his pistol. “When I say ‘three.’”
Lica was pale, but he had regained his composure. It was evident both
men were anxious to end the affair.
“One.”
“Two.”
“Three.” Both men emptied their pistols; and Murdo fell flat on his
back. The blood trickled.
“Murdo!” I cried, leaning over the dying man.
Lica was untouched, wondering, amazed at what had happened.
“In--my--left--hand--take it--” Murdo murmured softly.
“He--is--a good shot. They will believe in him. It’s what--they need.
A chief--in whom they believe--a great witch, Miora--greater than
mine----”
From his left hand I took the lead of the bullet Murdo had fired at
Lica!
Public-domain text, read in full here on John Shaqi.
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