The Bet, and other storiesChekhov, Anton Pavlovich
General
The Bet, and other stories
Chekhov, Anton Pavlovich
Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
His future is quite plain to me. During the whole of his life he will
make several hundred preparations of extraordinary purity, will write
any number of dry, quite competent, essays, will make about ten
scrupulously accurate translations; but he won’t invent gunpowder.
For gunpowder, imagination is wanted, inventiveness, and a gift for
divination, and Peter Ignatievich has nothing of the kind. In short, he
is not a master of science but a labourer.
Peter Ignatievich, Nicolas, and I whisper together. We are rather
strange to ourselves. One feels something quite particular, when the
audience booms like the sea behind the door. In thirty years I have not
grown used to this feeling, and I have it every morning. I button up my
frock-coat nervously, ask Nicolas unnecessary questions, get angry....
It is as though I were afraid; but it is not fear, but something else
which I cannot name nor describe.
Unnecessarily, I look at my watch and say:
“Well, it’s time to go.”
And we march in, in this order: Nicolas with the preparations or the
atlases in front, myself next, and after me, the cart-horse, modestly
hanging his head; or, if necessary, a corpse on a stretcher in front
and behind the corpse Nicolas and so on. The students rise when I
appear, then sit down and the noise of the sea is suddenly still. Calm
begins.
I know what I will lecture about, but I know nothing of how I will
lecture, where I will begin and where I will end. There is not a single
sentence ready in my brain. But as soon as I glance at the audience,
sitting around me in an amphitheatre, and utter the stereotyped “In
our last lecture we ended with....” and the sentences fly out of
my soul in a long line--then it is full steam ahead. I speak with
irresistible speed, and with passion, and it seems as though no earthly
power could check the current of my speech. In order to lecture well,
that is without being wearisome and to the listener’s profit, besides
talent you must have the knack of it and experience; you must have
a clear idea both of your own powers, of the people to whom you are
lecturing, and of the subject of your remarks. Moreover, you must be
quick in the uptake, keep a sharp eye open, and never for a moment lose
your field of vision.
Public-domain text, read in full here on John Shaqi.
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