The Bet, and other storiesChekhov, Anton Pavlovich
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The Bet, and other stories
Chekhov, Anton Pavlovich
Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
I hide my head under the pillow, shut my eyes and wait, wait.... My
spine is cold. It almost contracts within me. And I feel that death
will approach me only from behind, very quietly.
“Kivi, kivi.” A squeak sounds in the stillness of the night. I do not
know whether it is in my heart or in the street.
God, how awful! I would drink some more water; but now I dread opening
my eyes, and fear to raise my head. The terror is unaccountable,
animal. I cannot understand why I am afraid. Is it because I want to
live, or because a new and unknown pain awaits me?
Upstairs, above the ceiling, a moan, then a laugh ... I listen. A
little after steps sound on the staircase. Someone hurries down, then
up again. In a minute steps sound downstairs again. Someone stops by my
door and listens.
“Who’s there?” I call.
The door opens. I open my eyes boldly and see my wife. Her face is pale
and her eyes red with weeping.
“You’re not asleep, Nicolai Stiepanovich?” she asks.
“What is it?”
“For God’s sake go down to Liza. Something is wrong with her.”
“Very well ... with pleasure,” I murmur, very glad that I am not alone.
“Very well ... immediately.”
As I follow my wife I hear what she tells me, and from agitation
understand not a word. Bright spots from her candle dance over the
steps of the stairs; our long shadows tremble; my feet catch in the
skirts of my dressing-gown. My breath goes, and it seems to me that
someone is chasing me, trying to seize my back. “I shall die here on
the staircase, this second,” I think, “this second.” But we have passed
the staircase, the dark hall with the Italian window and we go into
Liza’s room. She sits in bed in her chemise; her bare legs hang down
and she moans.
“Oh, my God ... oh, my God!” she murmurs, half shutting her eyes from
our candles. “I can’t, I can’t.”
“Liza, my child,” I say, “what’s the matter?”
Seeing me, she calls out and falls on my neck.
“Papa darling,” she sobs. “Papa dearest ... my sweet. I don’t know what
it is.... It hurts.”
She embraces me, kisses me and lisps endearments which I heard her lisp
when she was still a baby.
“Be calm, my child. God’s with you,” I say. “You mustn’t cry. Something
hurts me too.”
I try to cover her with the bedclothes; my wife gives her to drink; and
both of us jostle in confusion round the bed. My shoulders push into
hers, and at that moment I remember how we used to bathe our children.
“But help her, help her!” my wife implores. “Do something!” And what
can I do? Nothing. There is some weight on the girl’s soul; but I
understand nothing, know nothing and can only murmur:
“It’s nothing, nothing.... It will pass.... Sleep, sleep.”
As if on purpose a dog suddenly howls in the yard, at first low and
irresolute, then aloud, in two voices. I never put any value on such
signs as dogs’ whining or screeching owls; but now my heart contracts
painfully, and I hasten to explain the howling.
Public-domain text, read in full here on John Shaqi.
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