The Bet, and other storiesChekhov, Anton Pavlovich
General
The Bet, and other stories
Chekhov, Anton Pavlovich
Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
When they came to another house the friends stood outside in the
vestibule, but did not enter the salon. As in the first house, a figure
rose up from the sofa in the hall, in a black jacket, with a sleepy
lackey’s face. As he looked at this lackey, at his face and shabby
jacket, Vassiliev thought: “What must an ordinary simple Russian go
through before Fate casts him up here? Where was he before, and what
was he doing? What awaits him? Is he married, where’s his mother,
and does she know he’s a lackey here?” Thenceforward in every house
Vassiliev involuntarily turned his attention to the lackey first of all.
In one of the houses, it seemed to be the fourth, the lackey was a dry
little, puny fellow, with a chain across his waistcoat. He was reading
a newspaper and took no notice of the guests at all. Glancing at his
face, Vassiliev had the idea that a fellow with a face like that could
steal and murder and perjure. And indeed the face was interesting: a
big forehead, grey eyes, a flat little nose, small close-set teeth, and
the expression on his face dull and impudent at once, like a puppy hard
on a hare. Vassiliev had the thought that he would like to touch this
lackey’s hair: is it rough or soft? It must be rough like a dog’s.
III
Because he had had two glasses the painter suddenly got rather drunk,
and unnaturally lively.
“Let’s go to another place,” he added, waving his hands. “I’ll
introduce you to the best!”
When he had taken his friends into the house which was according to him
the best, he proclaimed a persistent desire to dance a quadrille. The
medico began to grumble that they would have to pay the musicians a
rouble but agreed to be his _vis-à-vis._ The dance began.
It was just as bad in the best house as in the worst. Just the same
mirrors and pictures were here, the same coiffures and dresses. Looking
round at the furniture and the costumes Vassiliev now understood that
it was not lack of taste, but something that might be called the
particular taste and style of S----v Street, quite impossible to find
anywhere else, something complete, not accidental, evolved in time.
After he had been to eight houses he no longer wondered at the colour
of the dresses or the long trains, or at the bright bows, or the sailor
dresses, or the thick violent painting of the cheeks; he understood
that all this was in harmony, that if only one woman dressed herself
humanly, or one decent print hung on the wall, then the general tone of
the whole street would suffer.
How badly they manage the business? Can’t they really understand that
vice is only fascinating when it is beautiful and secret, hidden under
the cloak of virtue? Modest black dresses, pale faces, sad smiles, and
darkness act more strongly than this clumsy tinsel. Idiots! If they
don’t understand it themselves, their guests ought to teach them....
A girl in a Polish costume trimmed with white fur came up close to him
and sat down by his side.
Public-domain text, read in full here on John Shaqi.
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