The Beth Book: Being a Study of the Life of Elizabeth Caldwell Maclure, a Woman of GeniusGrand, Sarah
General
The Beth Book: Being a Study of the Life of Elizabeth Caldwell Maclure, a Woman of Genius
Grand, Sarah
England -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
The sketch, which was done in ink on half a sheet of paper, showed a
little chapel with great billows of snow rolling along the sides and
up to the roof. After breakfast, Mildred sat down and began to copy it
in pencil, to Beth's intense surprise. The possibility of copying it
herself would never have occurred to her, but when she saw Mildred
doing it of course she must try too. She could make nothing of it,
however, till Mildred showed her how to place each stroke, and then
she was very soon weary of the effort, and gave it up, yawning.
Drawing was not to be one of her accomplishments.
Kitty was to accompany them to the west.
When the day of departure arrived, a great coach and pair came to the
door, and the luggage was piled up on it. Beth, with her mouth set, and
her eyes twice their normal size from excitement, was everywhere,
watching everybody, afraid to miss anything that happened. Her mother's
movements were a source of special interest to her. At the last moment
Mrs. Caldwell slipped away alone to take leave of the place which had
been the first home of her married life. She was a young girl when she
came to it, the daughter of a country gentleman, accustomed to luxury,
but right ready to enjoy poverty with the man of her heart; and poverty
enough she had had to endure, and sickness and sorrow too--troubles
inevitable--besides some of those other troubles, which are the harder
to bear because they are not inevitable. But still, she had had her
compensations, and it was of these she thought as she took her last
leave of the little place. She went to the end of the garden first,
closely followed by Beth, and looked through the thin hedge out across
the field. She seemed to be seeing things which were farther away than
Beth's eyes could reach. Then she went to an old garden seat, touched it
tenderly, and stood looking down at it for some seconds. Many a summer
evening she had sat there at work while her husband read to her. It was
early spring, and the snowdrops and crocuses were out. She gathered a
little bunch of them. When she had made the tour of the garden, she
returned to the house, and went into every room, Beth following her
faithfully, at a safe distance. In the nursery she stood some little
time looking round at the bare walls, and seeming to listen expectantly.
No doubt she heard ghostly echoes of the patter of children's feet, the
ring of children's voices. As she turned to go she pressed her
handkerchief to her eyes. In her own room she lingered still longer,
going from one piece of furniture to another, and laying her hand on
each. It was handsome furniture, such as a lady should have about her,
and every piece represented a longer or shorter period of self-denial,
both on her own part and on her husband's, and a proportionately keen
joy in the acquisition of it. She remembered so well when the wardrobe
came home, and the dressing-table too, and the mahogany drawers. The
Public-domain text, read in full here on John Shaqi.
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