The Betrothal: A Sequel to the Blue Bird; A Fairy Play in Five Acts and Eleven ScenesMaeterlinck, Maurice
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The Betrothal: A Sequel to the Blue Bird; A Fairy Play in Five Acts and Eleven Scenes
Maeterlinck, Maurice
Fairy plays; French drama -- Translations into English
(_Touching the various objects in disgust_.) What's this? A distaff?
Bless me, what for?... A pumpkin, a cake, an old bowl and goodness knows
what else!... A tub full of dead eels! Gracious, how they smell!... It's
all disgracefully kept.... And that lot of old fly-blown, spun-glass
dresses!... My dear, how horrible!... What sort of place can this be? A
potting-shed, a rag-and-bone shop, a pawn-broker's, or a thieves'
kitchen? Whom can it belong to? A receiver of stolen goods? (_Touching
the more bizarre dresses_.) Or a Hottentot dressmaker?
BELLINE
There's something of everything ... except a broom and a duster.
ROSARELLE
One wouldn't be enough.
BELLINE
And nothing to sit on but an old wooden bench....
ROSARELLE
But it's carved, my love!...
BELLINE
Yes, carved in dust.
ROSARELLE
Reach me one of those hideous rags and let me wipe it....
BELLINE
(_Eagerly and obsequiously_.) Wait, miss, I'll do that.... (_She takes
the moon-coloured dress and dusts the seat with it_.) There, that's a
little better; that's at least one corner nearly clean enough to sit on.
ROSARELLE
(_Sitting down_.) I'm tired out!
BELLINE
(_Sitting down beside her_.) So am I; my feet are dreadfully sore.
ROSARELLE
(_Looking around through her lorgnette_.) But what I want to know is
where have we got to? My dear, have we fallen into a trap?
BELLINE
The company certainly is a little mixed. There's the miller's daughter,
the girl from the inn, the wood-cutter....
ROSARELLE
Or rather, to be accurate, the wood-stealer.... There's even the little
beggar-girl from the bridge by the Hermitage, to whom I refused a penny
last Sunday.... My dear, you should have heard the insolent way in which
she asked for it!...
BELLINE
And what's that white image standing in the corner, the one that never
stirs, never speaks and follows us wherever we go?
ROSARELLE
That great lump of clay, that ugly wax-work? That washed-out plaster
saint?
BELLINE
She looks very ill.
ROSARELLE
She may have Jewish leprosy or Zanzibar plague or Bombay cholera.... I
tell you, we must be careful: that's all very catching....
AIMETTE
(_Coming up to the bench timidly_.) I should like to sit down too, I'm
very tired....
ROSARELLE
Mind what you're about, miss!... There's dust enough as it is; I don't
want flour into the bargain.
ROSELLE
What's all this, what's all this? Are we turning up our nose at flour
now?
ROSARELLE
I wasn't addressing my remarks to you, madam.
ROSELLE
No, but I'm speaking to you. What bread would you eat if you had no
flour?
ROSARELLE
You would do better to tell your father to pay the three quarters' rent
that's in arrear.
ROSELLE
He'll pay his rent when your horrid old miser of a grandfather has seen
to those repairs. We've been asking to have them done these last three
years.
BELLINE
Is it the repairs that prevent your father from paying his butcher's
bills?
ROSELLE
Does he owe anything at your shop?
BELLINE
Public-domain text, read in full here on John Shaqi.
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