"Impossible--impossible," said the Fleming: "see you not yonder
tall fellow begins already to handle his dagger--Go hence in
haste, and angrily--and forget not the cattle."
"I will not forget them," said Jorworth; "but if thou keep not
faith with us--"
So speaking, he left the apartment with a gesture of menace,
partly really directed to Wilkin himself, partly assumed in
consequence of his advice. Flammock replied in English, as if that
all around might understand, what he said,
"Do thy worst, Sir Welshman! I am a true man; I defy the proposals
of rendition, and will hold out this castle to thy shame and thy
master's!--Here--let him be blindfolded once more, and returned in
safety to his attendants without; the next Welshman who appears
before the gate of the Garde Doloureuse, shall be more sharply
received."
The Welshman was blindfolded and withdrawn, when, as Wilkin
Flammock himself left the guardroom, one of the seeming men-at-
arms, who had been present at this interview, said in his ear, in
English, "Thou art a false traitor, Flammock, and shalt die a
traitor's death!"
Startled at this, the Fleming would have questioned the man
farther, but he had disappeared so soon as the words were uttered.
Flammock was disconcerted by this circumstance, which showed him
that his interview with Jorworth had been observed, and its
purpose known or conjectured, by some one who was a stranger to
his confidence, and might thwart his intentions; and he quickly
after learned that this was the case.
CHAPTER THE SIXTH
Blessed Mary, mother dear,
To a maiden bend thine ear,
Virgin undefiled, to thee
A wretched virgin bends the knee.
HYMN TO THE VIRGIN.
The daughter of the slaughtered Raymond had descended from the
elevated station whence she had beheld the field of battle, in the
agony of grief natural to a child whose eyes have beheld the death
of an honoured and beloved father. But her station, and the
principles of chivalry in which she had been trained up, did not
permit any prolonged or needless indulgence of inactive sorrow. In
raising the young and beautiful of the female sex to the rank of
princesses, or rather goddesses, the spirit of that singular
system exacted from them, in requital, a tone of character, and a
line of conduct, superior and something contradictory to that of
natural or merely human feeling. Its heroines frequently resembled
portraits shown by an artificial light--strong and luminous, and
which placed in high relief the objects on which it was turned;
but having still something of adventitious splendour, which,
compared with that of the natural day, seemed glaring and
exaggerated.
Public-domain text, read in full here on John Shaqi.
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