[1] In this assertion we do not agree with the critic. France, in common with other European nations, has unquestionably manifested much curiosity regarding foreign literature, and has availed herself of its treasures; but, by the original works of her own writers, the advantage has been reciprocated, particularly in the novels lately produced in Paris by such men as M. de Vigny and M. Victor Hugo. The “Notre Dame de Paris” of the latter has attained an European celebrity, and has accordingly been incorporated in the present series of “Standard Novels.”—_English Ed._ However this may be, the new taste for foreign literature is remarkable. Numerous works of imagination have appeared simultaneously of an elevated style and uncommon erudition. The choice, and we may add the gravity, of the subjects, the importance of the action, the extent of the developements, and the fidelity of the descriptions, stamp them with a peculiar character, and oblige us to assign to their authors a distinct rank among novel writers. Although unequal in merit, they may be arranged into two classes. The one, beholding how history was neglected, has endeavoured to restore its influence by reviving our ancient chronicles, and presenting to us in an elegant undress, the same characters from whom we avert our eyes, in the magnificent and stiff accompaniments of their historical costume. The other, less numerous, but, in our opinion, much more happily inspired, afflicted by the cold indifference with which the most excellent works on morals and politics are received, or by the insulting contempt which discards them altogether, has undertaken to allure and amuse the prejudices of the age, in order to correct them. In an imaginary picture, they have specially devoted themselves to describe the great springs of human action, and to bring prominently forward those traits of character, those inflexible criticisms on society, which under such a form will attract attention, when every direct and serious admonition would be rejected. Now, it is to this class of novel writers that Alessandro Manzoni essentially belongs.