The Bible in Spain: Or, the Journeys, Adventures, and Imprisonments of an Englishman, in an Attempt to Circulate the Scriptures in the PeninsulaBorrow, George
Religion
The Bible in Spain: Or, the Journeys, Adventures, and Imprisonments of an Englishman, in an Attempt to Circulate the Scriptures in the Peninsula
Borrow, George
Borrow, George, 1803-1881 -- Travel -- Spain; Spain -- Description and travel; Spain -- History -- 19th century
Little can be said with respect to the town of Cordova, which is a mean
dark gloomy place, full of narrow streets and alleys, without squares or
public buildings worthy of attention, save and except its far-famed
cathedral; its situation, however, is beautiful and picturesque. Before
it runs the Guadalquivir, which, though in this part shallow and full of
sandbanks, is still a delightful stream; whilst behind it rise the steep
sides of the Sierra Morena, planted up to the top with olive groves. The
town or city is surrounded on all sides by lofty Moorish walls, which may
measure about three quarters of a league in circumference; unlike
Seville, and most other towns in Spain, it has no suburbs.
I have said that Cordova has no remarkable edifices, save its cathedral;
yet this is perhaps the most extraordinary place of worship in the world.
It was originally, as is well known, a mosque, built in the brightest
days of Arabian dominion in Spain; in shape it was quadrangular, with a
low roof, supported by an infinity of small and delicately rounded marble
pillars, many of which still remain, and present at first sight the
appearance of a marble grove; the greater part, however, were removed
when the Christians, after the expulsion of the Moslems, essayed to
convert the mosque into a cathedral, which they effected in part by the
erection of a dome, and by clearing an open space for a choir. As it at
present exists, the temple appears to belong partly to Mahomet, and
partly to the Nazarene; and though this jumbling together of massive
Gothic architecture with the light and delicate style of the Arabians
produces an effect somewhat bizarre, it still remains a magnificent and
glorious edifice, and well calculated to excite feelings of awe and
veneration within the bosoms of those who enter it.
Public-domain text, read in full here on John Shaqi.
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