The Bible in Spain, Vol. 2 [of 2]: Or, the Journeys, Adventures, and Imprisonments of an Englishman in an Attempt to Circulate the Scriptures in the PeninsulaBorrow, George
Religion
The Bible in Spain, Vol. 2 [of 2]: Or, the Journeys, Adventures, and Imprisonments of an Englishman in an Attempt to Circulate the Scriptures in the Peninsula
Borrow, George
Borrow, George, 1803-1881 -- Travel -- Spain; Spain -- Description and travel; Spain -- History -- 19th century
_Dionysius_.—For want of a better employment, _Kyrie_, {264a} I have
adopted this most unprofitable and despised one. Oft have I regretted
not having been bred up as a shoemaker, or having learnt in my youth some
other useful handicraft, for gladly would I follow it now. Such, at
least, would procure me the respect of my fellow-creatures, inasmuch as
they needed me; but now all avoid me and look upon me with contempt; for
what have I to offer in this place that any one cares about? Books in
Seville! where no one reads, or at least nothing but new romances,
translated from the French, and obscenity. Books! Would I were a gypsy
and could trim donkeys, for then I were at least independent and were
more respected than I am at present.
_Myself_.—Of what kind of books does your stock-in-trade consist?
_Dionysius_.—Of those not likely to suit the Seville market, _Kyrie_;
books of sterling and intrinsic value; many of them in ancient Greek,
which I picked up upon the dissolution of the convents, when the contents
of the libraries were hurled into the courtyards, and there sold by the
_arroba_. I thought at first that I was about to make a fortune, and in
fact my books would be so in any other place; but here I have offered an
Elzevir {264b} for half a dollar in vain. I should starve were it not
for the strangers who occasionally purchase of me.
_Myself_.—Seville is a large cathedral city, abounding with priests and
canons; surely some of these occasionally visit you to make purchases of
classic works and books connected with ecclesiastical literature.
Public-domain text, read in full here on John Shaqi.
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