Though Whitman insisted that "the entire edition sold readily" there is
little doubt he meant circulated. In fact, they were circulated so
rapidly a new edition was required within ten months. This second
edition was a dumpy sexto-decimo of nearly four hundred pages. Twenty
new poems were added, one of the earlier poems was dropped and all were
retouched. This edition did sell rapidly and only fear of public
criticism prevented the publishers from reissuing the book. The failure
to find a firm to stand sponsor for his book discouraged Whitman to the
extent of planning to go West and pioneer. His plans for this venture
were completed when Thayer and Eldridge opened negotiations for the
book's republication with any new material available. This offer took
the poet to Boston to oversee the work and in May, 1860, a substantial
volume, with many new poems came from the press. The book went through
two editions, a total of between thirty-five hundred and four thousand
copies when the publishers failed. The plates were sold at auction and
went to a notorious pirate, who, within the next ten years, published
and sold over ten thousand copies. Whitman had no control over these
crimped editions and forever after they were a torment to him.
It was not until after the Civil War that a new authentic edition was
published--again without a publisher. In later issues of this edition
Whitman bound in the sheets of "Drum-Taps" and "When Lilacs Last in the
Dooryard Bloom'd," and in still later issues, "Songs Before Parting."
The total number of copies issued is not known but must have been quite
small owing to the effect of the lower priced pirated edition.
The fifth edition was published in Washington and attracted little or no
attention save in England where the demand for complete and unabridged
copies was fostered by Rossetti's emasculated edition. The English
demand was so great that Whitman was compelled to reprint one or two
new editions. He got around the expense of new plates by inserting
"intercallations"--poems printed on separate slips of paper and tipped
in.
In 1881, the next Boston edition was issued. With a recognized publisher
of Osgood's standing there should have been no question of the final
success of "Leaves of Grass." Osgood published all the work of the New
Englanders; Longfellow, Lowell, Emerson and Whittier. Whitman was in
good company save that the Society for the Suppression of Vice
considered "Leaves of Grass" to be bad company and through District
Attorney Stevens secured its suppression. Osgood promptly withdrew the
book and gladly turned over to the author all unsold and unbound copies
and the plates. The plates went to Rees, Welsh and Company, of
Philadelphia, who brought out an edition and then dropped from sight.
David McKay published an edition from the same plates. During this time
certain "special" and "author's" editions were published by Whitman as
his own publisher.
Public-domain text, read in full here on John Shaqi.
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