Impersonation -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
Lyman Gage lay back on his pillows, his face turned away from Mary
Amber, listening; but his hand still held Mary Amber’s. And Mary Amber,
standing quietly by his side, listening too, seemed to understand that
the curtain had not fallen yet, not quite, upon the little play; for
a smile wove in and out among the dimples near her lips, and her eyes
were dancing little happy lights of mirth. It was not until the front
door shut upon the guest and they heard the motor’s soft purr as the
car left the house that they felt the tenseness of the moment relax,
and consciousness of their position stole upon them.
“Mary, Mary Amber!” whispered Lyman Gage softly, looking up into her
face, “can you ever forgive me for all this?”
He held her hand, and his eyes pleaded for him.
“But it is all true. There _is_ another one. _I love you!_ And oh, I’m
so tired. Mary Amber, can you forgive me--and--and love me, just a
little bit?”
Down upon her knees went Mary Amber beside that bed, and gathered her
soldier boy within her strong young arms, drawing his tired head upon
her firm, sweet shoulder.
When Miss Marilla trotted back up-stairs on her weary, glad feet, and
put her head in at the door fearfully, to see how her boy had stood
the strain of the visitor--and to berate herself for having allowed a
stranger to come up without warning, she found them so, with Mary Amber
soothing her patient to sleep by kisses on his tired eyelids, and the
soldier’s big white hand enfolding Mary’s little one contentedly, while
the man’s low voice growled tenderly:
“Mary, you are the only girl I ever really loved. I didn’t know there
was a girl like you when I knew her.”
So Miss Marilla drew the door to softly lest Molly Poke should come
snooping round that way, and trotted off to the kitchen to see about
some charlotte russe for supper, a great thankful gladness growing in
her heart, for--oh! suppose it had been that other--hussy!
THE END
TRANSCRIBER’S NOTES:
Italicized text is surrounded by underscores: _italics_.
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been standardized.
End of Project Gutenberg's The Big Blue Soldier, by Grace Livingston Hill
Public-domain text, read in full here on John Shaqi.
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