After dinner Denzil usually indulged in poetic reverie. But to-day he
did not take his nap. He went out at once to "raise the wind." But there
was a dead calm everywhere. In vain he asked for an advance at the
office of the "Mile End Mirror," to which he contributed scathing
leaderettes about vestrymen. In vain he trudged to the city and offered
to write the "Ham and Eggs Gazette" an essay on the modern methods of
bacon-curing. Denzil knew a great deal about the breeding and
slaughtering of pigs, smoke-lofts and drying processes, having for years
dictated the policy of the "New Pork Herald" in these momentous matters.
Denzil also knew a great deal about many other esoteric matters,
including weaving machines, the manufacture of cabbage leaves and snuff,
and the inner economy of drain-pipes. He had written for the trade
papers since boyhood. But there is great competition on these papers. So
many men of literary gifts know all about the intricate technicalities
of manufactures and markets, and are eager to set the trade right.
Grodman perhaps hardly allowed sufficiently for the step backward that
Denzil made when he devoted his whole time for months to "Criminals I
Have Caught." It was as damaging as a debauch. For when your rivals are
pushing forward, to stand still is to go back.
In despair Denzil shambled toilsomely to Bethnal Green. He paused before
the window of a little tobacconist's shop, wherein was displayed a
placard announcing
"PLOTS FOR SALE."
The announcement went on to state that a large stock of plots was to be
obtained on the premises--embracing sensational plots, humorous plots,
love plots, religious plots, and poetic plots; also complete
manuscripts, original novels, poems and tales. Apply within.
It was a very dirty-looking shop, with begrimed bricks and blackened
woodwork. The window contained some musty old books, an assortment of
pipes and tobacco, and a large number of the vilest daubs unhung,
painted in oil on Academy boards, and unframed. These were intended for
landscapes, as you could tell from the titles. The most expensive was
"Chingford Church," and it was marked 1s. 9d. The others ran from 6d. to
1s. 3d., and were mostly representations of Scotch scenery--a loch with
mountains in the background, with solid reflections in the water and a
tree in the foreground. Sometimes the tree would be in the background.
Then the loch would be in the foreground. Sky and water were intensely
blue in all. The name of the collection was "Original oil paintings done
by hand." Dust lay thick upon everything, as if carefully shoveled on;
and the proprietor looked as if he slept in his shop window at night
without taking his clothes off. He was a gaunt man with a red nose, long
but scanty black locks covered by a smoking cap, and a luxuriant black
mustache. He smoked a long clay pipe, and had the air of a broken-down
operatic villain.
Public-domain text, read in full here on John Shaqi.
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