The brown holland fell away--the dead stood revealed as he had been in life. Every feature, painted by the hand of Love, was instinct with vitality: the fine, earnest face, the sad kindly eyes, the noble brow seeming still a-throb with the thought of Humanity. A thrill ran through the room--there was a low, undefinable murmur. O, the pathos and the tragedy of it! Every eye was fixed, misty with emotion, upon the dead man in the picture and the living man who stood, pale and agitated, and visibly unable to commence his speech, at the side of the canvas. Suddenly a hand was laid upon the labor leader's shoulder, and there rang through the hall in Wimp's clear, decisive tones the words: "Tom Mortlake, I arrest you for the murder of Arthur Constant!" CHAPTER IX. For a moment there was an acute, terrible silence. Mortlake's face was that of a corpse; the face of the dead man at his side was flushed with the hues of life. To the overstrung nerves of the onlookers, the brooding eyes of the picture seemed sad and stern with menace, and charged with the lightnings of doom. It was a horrible contrast. For Wimp, alone, the painted face had fuller, more tragical, meanings. The audience seemed turned to stone. They sat or stood--in every variety of attitude--frozen, rigid. Arthur Constant's picture dominated the scene, the only living thing in a hall of the dead. But only for a moment. Mortlake shook off the detective's hand. "Boys!" he cried, in accents of infinite indignation, "this is a police conspiracy." His words relaxed the tension. The stony figures were agitated. A dull, excited hubbub answered him. The little cobbler darted from behind his pillar, and leaped upon a bench. The cords of his brow were swollen with excitement. He seemed a giant overshadowing the hall. "Boys!" he roared, in his best Victoria Park voice, "listen to me. This charge is a foul and damnable lie." "Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from all parts of the room. Everybody rose and stood in tentative attitudes, excited to the last degree. "Boys!" Peter roared on, "you all know me. I'm a plain man, and I want to know if it's likely a man would murder his best friend." "No," in a mighty volume of sound. Wimp had scarcely calculated upon Mortlake's popularity. He stood on the platform, pale and anxious as his prisoner. "And if he did, why didn't they prove it the first time?" "Hear, hear!" "And if they want to arrest him, why couldn't they leave it till the ceremony was over? Tom Mortlake's not the man to run away." "Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake! Hip, hip, hip, hooray!" "Three groans for the police." "Hoo! Oo! Oo!"