The Big Drum: A Comedy in Four ActsPinero, Arthur Wing
General
The Big Drum: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
[_Following him._] Oh, they're not a bad sort, by any means, if you
just humour them a bit. We all have our little weaknesses, haven't we?
I've mine, I confess.
WESTRIP.
They've both been excessively kind to _me_. [_Turning to her._] And as
for Madame de Chaumie----
MISS TRACER.
Oh, she's a dear--a regular dear!
WESTRIP.
[_Fervently._] By Jove, isn't she!
MISS TRACER.
But then, _my_ theory is that she was changed at her birth. _She's_ not
a genuine Filson, I'll swear. [_Suddenly walking away from him._] H'sh!
[LADY FILSON, _a handsome, complacent woman of about
fifty-seven, enters from the hall._
LADY FILSON.
[_Who carries a hand-bag crammed with letters, cards of invitation,
etc._] Good morning.
MISS TRACER _and_ WESTRIP.
Good morning, Lady Filson.
LADY FILSON.
[_Closing the door and advancing._] Oh, Mr. Westrip, I wish you'd try
to find the last number of the _Trifler_. It must have been taken out
of my bedroom by one of the servants.
WESTRIP.
[_Searching among the periodicals on the round table._] Certainly, Lady
Filson.
MISS TRACER.
Oh, Lady Filson, don't keep that horrid snapshot of you and Sir Randle!
It's _too_ unflattering.
LADY FILSON.
[_At the writing-table._] As if that mattered! So are the portraits of
Lord and Lady Sturminster on the same page. [_Sitting at the table and
emptying her bag._] These absurd things give Sir Randle and me a hearty
laugh; that's why I preserve them.
WESTRIP.
It isn't here. [_Going to the glazed door._] I'll hunt for it
downstairs.
LADY FILSON.
Thank you. [_Discovering the pile of press-cuttings._] What's this?
[_Affecting annoyance._] Not more press-cuttings! [_Beginning to devour
the cuttings._] Tcht, tcht, tcht!
[_As_ WESTRIP _reaches the door,_ BERTRAM FILSON
_enters. He is wearing riding-dress._
BERTRAM.
[_A conceited, pompous young man of thirty._] Good morning, Mr.
Westrip.
WESTRIP.
Good morning, Mr. Filson.
[WESTRIP _goes out, closing the door._
BERTRAM.
[_To_ MISS TRACER.] Good morning, Miss Tracer.
MISS TRACER.
[_Who has seated herself in the chair at the further side of the
writing-table--meekly._] Good morning.
LADY FILSON.
[_Half turning to_ BERTRAM, _the press-cuttings in her hand._] Ah, my
darling! Was that you I saw speaking to Underwood as I came through the
hall?
BERTRAM.
Yes, mother dear. [_Bending over her and kissing her._] How are you?
Public-domain text, read in full here on John Shaqi.
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