Philosophy -- Fiction; Science fiction; Short stories
Brasses? To me the steel-on-steel of streetcars and El trains always
sounds like trumpets and cornets. Strident, metallic, fiery cold.
Hear that siren way off? It's a clarinet. The ship horns are tubas,
the diesel horn's an oboe. And that lovely dreadful french horn is an
electric saw cutting down the last tree.
But what a percussion section they've got! The big stuff, like
streetcar bells jangling, is easy to catch, but you have to really
listen to get the subtleties--the buzz of a defective neon sign, the
click of a stoplight changing.
Sometimes you do get human voices, I'll admit, but they're not like
they are in Beethoven's _Ninth_ or Holst's _Planets_.
_There's_ the real sound of the universe (the Professor concluded,
shutting the window). That's your heavenly choir. That's the music
of the spheres the old alchemists kept listening for--if they'd just
stayed around a little longer they'd all have been deafened by it. Oh,
to think that Schopenhauer was bothered by the crack of carters' whips!
And now it's time for this mouse to tuck himself in his nest in the
dynamo. Good night, gentlemen!
End of the Project Gutenberg EBook of The Big Engine, by Fritz Leiber
Public-domain text, read in full here on John Shaqi.
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